Kong: Skull Island (2017) Review

Kong: Skull Island 2017 

It has been a long time since I’ve seen a monster movie that was well worth the price of admission. I didn’t even see this movie when it came out in theaters. But after waiting for it to arrive on rentals, I finally decided to bite the bullet. At first glance, this seems like another blow out blockbuster, but there are layers to this movie that make it a lot of fun. Note, I said fun. If you apply logic, even though the movie begs you to do so, you’re going to be soured fast. I was soured by the logical problems associated with this film, but I did like the larger grandiose display. In fact, it’s a fun ride, with a lot of modern elements to cheer, more than the lack of logic, but hey, that’s Hollywood for ya, right? It’s an interesting romp that deals with a few key historical points, and lots of great editing. “Kong: Skull Island” could very well be the best monster, science fiction movie I’ve seen this year. But that’s not saying much, right?

The movie starts off with some killer editing. Richard Pearson’s editing job is great here. Larry Fong’s cinematography is great, and the music works to set up cues that are right for the time frame. There are some great moments here, and a bit of history to boot. The movie starts off in 1944, at the end of the second World War, and you get to see a group of individuals that are going to an uncharted island. They are going for a variety of reasons, but no one mentions Kong, until he shows up and strikes down the United States Military. Samuel L. Jackson, John Goodman, and Tom Hiddleston round out the major actors, and I didn’t even recognize Brie Larson at first glance. John C. Reilly also shows up, but you first get sequencing that sends the military group with scientists to the island to explore, chart, and map the terrain. This prompts Kong to show up and start defending his territory, and a revenge plot begins with Samuel L. Jackson becoming a badass throughout the movie.

The plot is simple, and the movie starts to make little sense as it goes through. I started to question the logic mid-way through the movie, but appreciated the spectacle. You cannot apply logical questions to the movie, because you’ll run yourself ragged. I did appreciate the visual design flow, and the beauty of the shots, as well as the great after effects work, green screen work, and practical effects that were used. A lot of work went into presenting the beauty of the Island, and the insanity that comes with fighting off a monster. I loved it.

The movie is not a bad one. I liked the flow, the action, and the dialogue at times. The editing really got to me. As a History major, I really loved the way the juxtaposition of real military elements were mixed in with the fantasy of Kong, and the ethos that went back to the classic monster movies. You may be a fan of the original King Kong movies, but this is definitely an upgraded, up to date, and inspired movie with a lot to offer. It’s swift, it’s slick, and it certainly has a lot of great action, although, it is missing that “Scary”, “horror” element that sunk into latter Kong movies. It’s a nice science fiction, monster movie, throwback, with a great visual design flow. I liked it, but probably won’t spend too much time watching it again and again like I did the originals.

You can buy “Kong: Skull Island”on Blu Ray by clicking here.

Did you see “Kong: Skull Island”? What did you think? Drop me a comment below.

Barrio Tales Review

Barrio Tales Is Available On DVD HERE

I never get screeners anymore. I did at one point, but these days, no one trusts me enough to send them. That happens, I guess. So whenever you see me review anything, I don’t get it for free like some other sites. Oh, and if I say anything bad about any film, unlike “Freddy in Space”, send it to the director or anyone involved. I’ll man up and stick to my guns about what I say. Unlike that site, and writer. I would like to say that if you are a man enough to write a negative review or opinion, you should be man enough to stand by it if someone else tweets the director. Otherwise, go to hell.

Now, let’s get into the movie “Barrio Tales”, a Latino version of the classic 3 story horror tropes. A couple of brothers directed this, Jarret and Brent Tarnol, and I was immediately drawn to it because the cover looked like a Cypress Hill cover. The movie’s tag line stated, “Terror, from south of the border”, so boom.

This is a trio of tales, like “VHS” and other movies, and it starts with a couple of young adults going to Mexico to score some drugs. When they get there, they end up meeting a Mexican guy that tells them to beware of where they are going, and what they are looking for. As the two question where the drugs are, the sage of sorts tells them 3 stories of Mexican horror, and each one has a different moral, pushing the limits of horror and generalization.

The stories go from cannibalism, witchcraft, and a monster myth. Each one is a short version of horror tropes that you already think about. From teens getting made into edible goods, to witches getting their revenge on a mean person, to the unkillable monster, each option has a Latino twist to the classic horror stories that you already know about. My favorite of the trio of stories is the opening one. A young maid gets drowned by some rich kids, only to end up having revenge taken upon them by witches that hear of the news of the death of the Latino maid. It’s a quick tale of how treating people badly, could result in reaping some serious consequences. This one really felt like “Scream Queens”, with a bit of humor and visual style overall, good stuff.

“Barrio Tales” is a fascinating movie that flows fast, and has some nice cinematography, and decent acting. At times it feels like “Scream Queens”, and at other times it feels like “Tales From The Crypt”. Either way, it’s a lot of fun, and definitely worth checking out overall. The gore was minimal, the horror elements were fine, and for an independent movie, it has some gusto. I’d give it an 8 out of 10, and definitely a rental. I definitely had fun.

You can pick up "Barrio Tales" on dvd by clicking here.

Deep Blue Sea Review

I know I promised to talk about the Leprechaun series, but I have been having a hard time transitioning. I moved from Los Angeles to Indianapolis, and my hopes of meeting new people, and having a different life has really been thwarted by the same issues I’ve always seemed to have. If you want to help me out in any way, make sure that you use the Amazon options that I recommend to pick up movies. Each sale helps me out a little bit. That’s partially the reason why I am not writing as many reviews, as I don’t have a way to watch more movies, now that I do not have Netflix. I did manage to catch “Deep Blue Sea” so here I go, giving you another shot in the arm from the longest running horror blog that I know of, because I don’t know about a lot of others!

This movie takes the concepts that you may have seen in first person shooters and takes on “Jaws”. There’s a secret lab where scientists are working with sharks, helping them get smarter, in order to cure human disease. However, during the course of their work, they have caused a great deal of problems. Mainly, the sharks are now getting mad and know how to fight back, or whatever. The movie doesn’t really take off until the sharks starts to go mad and traps a research team. The team must escape, and overcome their own personal issues to rise through the flooded research center.

Pick up “Deep Blue Sea” BLU RAY, or other horror films by clicking here!!!

So while this movie isn’t scary, it has horror elements that are supposed to “thrill”. It’s listed as science fiction, and it truly does put on a showcase. I can see this as a pulp novel, and it truly works well in that regards. The characters are all archetypes. Thomas Jane, Michael Rapaport, LL Cool J, and Samuel L. Jackson are the stand outs, especially the ultimate death scene! The biggest death scene here is of course Jackson throwing down an amazing speech, only to get eaten by a shark! I loved it, you loved it and the internet meme’d the crap out of it.

Breaking down this film into anything other than just a throwaway blockbuster is disingenuous. I can’t really say that this is a bad movie, because it’ not “bad”. But it’s not exactly great, or good either. It’s a nice romp through a very isolated area. It’s nice to get a throwback to that classic science fiction style that made the 1960s so grand. However, outside of some shining lights from Jackson and LL Cool J, this is a trope that is so predictable, you get tired.

You either love “Deep Blue Sea” or you don’t, it’s that simple. I found it to be funny, and enjoyable. However, it may be fueled by the fact that I’m having a hard time financially, so it was nice to have a distraction for a couple of hours. You can pick up “Deep Blue Sea” on BLU RAY here, or don’t, no one ever listens to me anyways.

Death Race 3 Inferno Review

I ate the worst burrito in the world today, and then fell asleep. When I woke up, I had a headache and one thing on my mind, Death Race 3. This movie is the third of the sequels that came through with the remake featuring Jason Statham, only this is straight to video and stars Danny Trejo, and Luke Goss. This time around the formula is similar, but has been thrown into a washing machine, because you’re going to find it to either be very boring, or quite fascinating towards the end. I found it tedious to start, but then things really took a turn for the better, and this started to make a lot more sense.

The movie centers on Luke and his pit crew getting sent to South Africa to start racing for a new prison warden. The warden is taking things international, and he’s throwing out the old policy of freedom after winning 5 times. Frankenstein is on the verge of winning big, but now he’s stuck trying to fight back and he’s not going to get any leverage. Meanwhile, he reveals to his crew that the person under the mask is none other than Carl Lucas aka Luke. The gang hates him, but oh well, he then reveals the real reason they are there.

As you expected, there is some racing here. However, the Ford Mustang is gone. Goodbye mustang and hello some dune boogie piece of crap. The rest of the cars are all retrofitted for the sands and dunes of this desert prison area. I don’t like it, but then again, it works for what it is. As the movie progresses, the teams race and things go in order as you would expect. There are minor details here and there that makes this more of a combat movie, then things explode into a frenzy towards the end of the film.

In the third act you start to realize that Frankenstein is not going to win, he has other plans. With a stroke of genius, or perhaps luck, this whole things blows up in the favor of Frankenstein when he and his crew escape the prison with the help of an insider and a new guy changes places with him. This is very much like the first movie, and it goes in line with the notion that the monster can be replaced by any idiot. As you start to wonder why this is all going down the way it is, you’re given the full reveal. The movie bounces back to where Lucas was giving away his “truth” and you realize this was the plan all along.

Death Race 3 Inferno is not a great movie. However, if you’ve invested in the first two, you might as well finish this one. I found it to be slow at first, but there’s enough action and a good fourth act to really get into it. I actually didn’t hate it that much, and that’s saying a lot. Tanit Phoenix is hot, and waiting for a nip slip is about as crazy as you’re going to get here. I liked the grindhouse style, and I do appreciate the continuity, but overall, this is not as good as the first, and that’s not exactly “Citizen Kane” or anything. Overall, if you’re going to get this, get it as part of the Death Race Trilogy or don’t watch it. Then again, buy something, I need the money, and you need to add another dvd to your collection, so how about it?

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Death Race 2 Review

I remember when I first saw the remake of Death Race. I was living in Seattle and was at a mall. While walking through the mall, I noticed that a jean company was giving away movie tickets for trying on pants. I was curious, so I went in and tried on a pair of pants and afterwards was given a certificate to use for the movies. Since nothing was really out, I decided to look into Death Race, the remake, and was surprised with the film itself.

Fast forward 5 years or so and I finally sit down to check out this movie. While it’s not a horror film, and it’s not meant to be, there are some nice moments that remind me of grindhouse cinema, especially the way the gore gets ramped up towards the mid-point and end of this movie. Death Race 2 is a prequel to the Death Race series and goes into looking into “Frankenstein” the mythical driver. While I appreciated the original, and liked the remake a bit, this is one that really grew on me. I didn’t like it at first, and really thought it suffered from horrendous plotting, and terrible acting. However, Luke Goss sold me on it towards the middle of the film and Ving Rhames definitely adds some character. The movie has some sick driving at first too, and I’m a huge fan of the Cobra Mustang, so seeing that run through the action was good.

The preliminary set up for this movie is that criminals are fighting to the death via pay per view or internet streaming. That goes so far and eventually the whole thing is turned into a race to the death around Terminal Island. It’s within that realm that Luke gets burned alive and creates the template for Frankenstein!

Overall this movie is not great. However, there are some really good elements in it, and I couldn’t stop staring at Lauren Cohen’s cleavage. Wow! I’m just saying, what an amazing, never mind. The movie flows through the same elements you would expect from the previous incarnation, and you get some nice driving sequences. However, you’ll have to turn your brain off for this one, there are loopholes everywhere and it’s completely unbelievable at times.

Death Race 2 has some nice driving, some good action, and it sits well with me. Danny Trejo’s involvement sold it for me. With all that in mind, you’ll want to check this one out as a way to unwind and really not think about anything important. It has an ok soundtrack, some good driving sequences with the Mustang, and Laruen Cohen’s cleavage. Solid release, and a start to something more compelling, I’m sure. Rent it, buy it, do something.

Looking for grindhouse, horror, or sci-fi films? Please check out our amazon astore featuring all things horror. Don't trust astore? Check out amazon.com, surprisingly they have more grindhouse,horror,and rare sci-fi than you may not have thought possible.

A nod to European Horror

Here's another post from a guest. I've been battling sickness, writing a lot, starting a business, and just haven't had time to watch as much horror as I'd like to. I will return to a full schedule sooner than later, but until then, check this out.  

It’s a known fact that they sure know how to make movies that make the hairs on the back of your neck stand up over there on the old continent. For all the faithful horror fans out there- just the mere mention of names as Dario Argento or Guillermo del Toro, but the last decade has witnessed a lot of involvement from part of the Scandinavian, Russian and Serbian directors who’ve managed to offer some truly amazing titles that are surely to earn a permanent place in the Horror Hall of Fame. Let’s take a quick look at some of the most memorable ones.

Sauna (2008)

A very strong title born from the collaboration of Finland and the Czech Republic. The somber and depressing movie has a solid plot with a feasible background story, which is all the more painful as it deals with the horrors of war or, more precisely, the aftermath of these horrors and the way everything good in the human nature crumbles before the atrocities we are capable of committing.

Philosophy of a Knife (2008)

Written and directed by the promising Russian talent Andrey Iskanov, the movie follows the true story of the notorious Japanese Unit 731 - known for unbelievably brutal human experiments during WW2. The atrocities carried out in the infamous unit are far too horrendous to require extra video effects, which is something the Russian director was fully aware of. His movie is but a peak into the hellish nightmare that devoured thousands of men, women, children and infants.

Semum (2008)

A surprisingly original Turkish horror, despite the fact that it exploits a theme that we’ve seen one time too many. The effects are pretty decent for this kind of budget and the plot is as simple as it is effective. Allegedly the movie is based on the real-life events of Canan Karaca. Definitely worth checking out.

Let the Right One In (2008)

The movie is actually a remake of a previous one by director Tomas Alfredson. A different and quite unorthodox story about vampires, which is as eerie as it is endearing. Every minute of the film is brilliantly steeped in the characters’ emotions and the cinematographic and music are both beautiful.

Srpski Film / A Serbian Film (2010)

In case you have missed out on this one it’s time to make up for it. Serbia has single-handedly given to the world some of the best movies in the past several years and A Serbian Film is one of them. A brutally honest, disturbingly realistic visual experience - this movie is about as snuff as it’s ever going to get. As if the topics it deals with are not atrocious enough, the camera doesn’t shy away from the violence in a way that will make you sick to your stomach.

Indie Horror Films Worth Checking Out

I'm starting to feel better, but still am not at 100%, so you'll have to deal with guest postings yet again. I'll return to the helm with all new reviews for Chemical Burn Studios work. 

Indie movies are often overlooked by fans, mainly due to the fact that their limited budget and unrecognizable actors don’t make for a very appealing advertising campaign. If you don’t frequently browse through the horror fests’ lists of indie flicks, you risk missing out on some of the best, chilling, original and disturbing titles the horror genre has ever witnessed. For those of you, who’ve only stayed up-to-date with the mainstream titles released over the past few years, we offer a list of a few brilliant indie horror films that are definitely worth checking out.

Joshua (2006)

Travis Betz is an f-ing genius for single-handedly writing and directing one of the most dark, demented and truly disturbing horror flicks of the past decade. It is truly amazing what can be done with just few mediocre visual effects and an extremely strong background story and tight plot. Betz’s efforts have been rewarded with this realistically disturbing tale of human downfall into depravity and insanity.

Splinter (2008)

A very effective Sci-Fi horror flick, which is one of those movies that actually gains from not revealing too much about the cause of events, is what you find here. The effects are decent and the gore is just the right amount to contribute to the build-up of suspension and feeling of dread throughout the movie. Director Toby Wilkins has done a marvelous job with the plot as well as with the cast.

Dead Girl (2008)

A very powerful and disturbing movie, exploring serious social issues, full of horror that should shake you is presented here. This memorable stomach turning flick deals with the most depraved choices people make when nobody is watching. The director is sparing of effects, but effectively creates a dark tale that starts off slow, but quickly builds up to a climax of absolute destruction and carnage.

Triangle (2009)

This is more of a psychological type of horror, but still it is worth mentioning, as it is quite fresh with a very unexpected turn of events. Although the movie starts out as just another slasher, pretty soon it takes a turn for the worse and the viewer is introduced to something much more sinister than just another deranged killer hunting down a group of good-looking folks.

Perkins’ 14

Perkins’ 14 is an unusually stark flick, superbly directed and filmed by Craig Singer and it’s one of the best things to come out from the After Dark Horror Fest in recent years. The unique style and engaging script only add to the movie’s effective somber atmosphere, which draws the viewer into a downfall of horror, psychological pain and brutal violence.

Clive Barker's Books of Blood Review

(Buy the Book Here)

Your old pal Sir Jorge is still sick. I haven't been able to do a whole lot of writing, so you will have to enjoy another guest blogger attempt to get you interested in horror of a different kind. Enjoy.

Clive Barker is a well-known name in the world of horror and fantasy. His biography of a director and producer holds titles such as ‘Hellraiser’ and ‘Jericho’, which are trend-setters in times, when people thought that everything has been done before. Having said this, Barker’s true talent shines most in the field of literature. Known as one of the most promising writers in the horror genre and proclaimed by none other than Stephen King as the future of the said genre, all of Barker’s books prove that he will most certainly live up to these expectations.

The first volume of the Books of Blood consists of 6 stories and 3 introductions. The first story carries the title ‘The Book of Blood’ and it unfolds the tale of how the said book came to be. The narrative is original and grim with brilliant twists and the incorporation of paranormal elements. It is interesting to point out that Barker doesn’t abide by the rules imposed on authors at the beginning of their careers for a strict word count of their works and creates every story as he sees fit. The end result is compact, concise stories that are surprisingly engaging and influential.

The second story in the book is ‘The Midnight Meat Train’, which most people will recognize as the film adaptation with Vinnie Jones and Bradley Cooper, which was actually pretty decent. The author himself has expressed his desire for the movie to become the first of a trilogy, which will shed some light on the creatures that are behind all existence and demand bloody sacrifices for it.

In ‘The Yattering and Jack’ Barker offers an interesting insight into the mishaps of an inferior daemon. Even though someone might argue that comic is not a term that ought to be used when we’re reviewing a book in the horror genre, this story has an undeniable humoristic element to it. Time and again Barker manages to offer something fresh and original, proving that he definitely doesn’t fall under any categories of the said genre.

‘Pig Blood Blues’ makes the infamous scene from Hannibal pale in comparison. Barker is truly at his best in terms of ruthlessness and brutality that makes the reader squirm with disgust. Another proof that he is willing to experiment and explore different angles and approaches of the genre, playing with and pushing the limits of sane and normal.

In ‘Sex, Death and Starshine’ the plot unfolds following the pattern of…well..sex, death and starshine. Although far from frightening, the story is quite intriguing. The dead too require a healthy dosage of entertainment and apparently they know how to get it.

‘In the Hills, the Cities’ deservedly is placed at the end of the first volume of the ‘Books of Blood’ as it is truly the best work of the author of the 6 stories. Barker’s imagination has really surpassed all limits and ventured into realms of unimaginable horror and dread.

As a whole ‘Books of Blood’ has its weak and strong points. As we mentioned before, Barker is not amongst the authors to follow predetermined patterns in their style of writing or narrative and he’s definitely not the one to spare his readers any brutality. He’s exhaustive and thorough to the point where it can get physically unsettling for the person on the other side of the book. His works are a must-read for anyone who’s looking for something different than the mainstream horror formula.

Silent Hill Revelation 3D Review

(Buy silent hill here)

From time to time, your pal Sir Jorge (me) gets sick. This week I got the flu, so in that case, I had a little help from a guest blogger. This guest blogger didn’t want to be named, just wanted a shot at posting on the old blog o rific, so without further adieu, here you go.

We dare to dream of the day that Hollywood will stop trying to make movies based on game sequels, but alas that day is yet to come…For the time being we’re forced to sit through a [yet another] mediocre and downright laughable cinematic version of one of the greatest horror game franchises that were to ever grace the face of this pitiful planet. KONAMI must really be regretting selling the rights to the franchise to an American company - now that the fellow Americans hold the legal rights to the game(s) and movie(s) all bets are off.

But onto the movie, we will see... It’s hard to write a coherent review for a movie that’s all over the place, so let’s just use the same approach to do it justice. This movie has no reason to exist. Period. After the dreaded and insufferable Silent Hill from 2006 a lot of game fans were convinced the making of films based on games had hit rock bottom and nothing worse could ever live to see daylight. Apparently scriptwriters, directors and visual artists in Hollywood mistook this for a personal challenge and thus - Revelation was born. Sometimes I think virtually every movie based on a game is doomed to failure and the guys from the East Coast seem pretty keen on proving me right (note: no, putting Angelina Jolie in the lead role does NOT a movie make or save; she’s freaking hot as hell, yes, but if I wanted to watch an hour long of a hot chick flashing her curves from every angle I’d just play me some random Sasha Grey clip).

As a religious fan of the game sequel I have to shamefully admit I was timidly hopeful for the second Silent Hill movie after having experienced one of the worst disappointments of my life sitting through the first (seriously, I wasn’t that upset when I found naked pictures and ongoing correspondence of my boyfriend with his ex, leading to an ugly break-up). Further to this the fact that it would be loosely based on the third installment of the game series, which is one of the strongest and sickest in the sequence, only added to that adorable pitter-patter of my heart and the butterfly feeling in my stomach. By the time the credits appeared on the screen I was deeply pensive about whether to pull a James Holmes on the theatre (alright, this was completely inappropriate in the light of the recent events, but you get what I am trying to say) or go home and slit my wrists with broken DVD pieces.

See? I promised you a review as coherent as the movie and so far I think I’m delivering. In all seriousness, though, the movie is all over the place - like literally. There isn’t the slightest effort from part of the script-writer to put together anything even remotely decent in terms of background story (the glue that hold together all Silent Hill-related stories no matter how irrelevant or unrelated they might seem in the beginning) and the director has only assisted with throwing in here and there random images in the spirit of the game franchise. Apart from recognizing some of the series most infamous monsters there is little that the fans will be able to relate to. As if in a meek attempt to block out these flukes, several up-and-coming and one or two famous actors have been thrown in the movie, but they’re just as out of place as everything else. Almost all of the casting of ‘Game of Thrones’ is present, which goes on to prove that when the industry has decided to promote someone, they’re going to promote the living shit out of them - even if that person can’t act to save his life (which is kind of ironic since one of the actors in question does die in the movie…and in ‘Game of Thrones’ for that matter. Wonder if it was due to bad acting). Carrie Anne Moss hasn’t acted in a scene as laughable as the infamous last dialogue with Neo from the 3rd Matrix, where he tells her she can’t die, but she argues that she can and dies, until now.

Things are not looking good in the soundtrack department either, which is baffling to say the least. With a monumentally genius composer like Akira Yamaoka, who single-handedly ensured that musically Silent Hill is just as eerie and disturbing as the story and gameplay intended it to be, the music to the movie is nothing like any of the brilliant tracks we get to experience in the games.

Without spoiling the movie for those who will bravely venture into the theatre to catch a glimpse of the abomination that it is, let me just shout out a fair warning to all faithful game fans - the notorious, but beloved Pyramid Head appears in the most unimaginably grotesque (not in a good) way - one that will leave you with nightmares for weeks to come and will possibly result in several shrink appointments.

The general atmosphere of the movie is dark and somber, albeit in a way that has little to do with the sad hopelessness that the games used to make the player care. You will find it doesn’t really matter whether the characters live or die and will fail to be thrilled by their personal tragedies, which are told in a more of a soap-opera-drama style. The safest choice you could make is to take my word that the best thing about this movie is the poster and move on with your life.

My Favorite Zombie Movie

(Buy Nightmare City Here)

Nightmare City (1980) is my favorite Zombie Movie

One of the easiest prompts you can get as a writer is simply about yourself. Any subject matter that deals with what you enjoy, love, and want to share can become the greatest piece of writing because it comes from the heart, right? Well, in a series of articles that I will be posting in the coming future, starting today, I’m going to be talking about my favorite movies in the horror genre. Today, for example, I will be talking about my favorite zombie movie. That is going to an Italian-Spanish flick that came out in 1980 known as Nightmare City.

The plot of the movie is one that is definitely note worthy. A report is at an airport awaiting a famed scientist that has been linked to a nuclear accident. When a military plane shows up, the doors open with fast running zombies and chaos starts to reign at the airport. They stab, shoot, and run with reckless abandon. Meanwhile, the reporter catches all of this and tries to warn the general public but is thwarted, and instead seeks to find his wife so that they can flee to safety while the zombie apocalypse jumps off. The twist ending is definitely one of note and will probably bring about a lot of arguments as to what really happened.

The whole movie is a great piece of European cinema, and the Italian and Spanish film making style is evident throughout. You have to give it up to them for creating a frenetically paced movie without the use of shaky cam to introduce the monsters. You feel like you’re involved in a serious apocalypse, albeit with monsters that resemble something out of the old Power Rangers television program. Sure, there are some tongue and cheek moments, the whole thing plays off like a made for television Stephen King picture, but so what?

The music is great, the acting is ok, the dubbing is fantastic, and the premise most certainly can fit into modern day worlds. You will find Nightmare City to be one great piece of zombie filmmaking and even George Romero might give it a nod or two. But that doesn’t really matter, does it? This is my favorite zombie movie, and though there are a lot of great ones out there, nothing seemed to have the impact that this one had. I saw it several times in my years, but most recently I enjoyed it with Spanish subtitles, a great one to enjoy an IPA to. If you haven’t seen this in a while, make sure that you buy Nightmare City here, and see why it’s my favorite zombie movie.

Rosemary’s Baby Review

(Buy Rosemary's Baby Criterion)

A Mother’s Worst Nightmare Comes True

Love it or hate it, the slow moving era of movies still reaches to the depths of fear and comes out charging in a relevant way. Whether you’re watching something that came from the mind of Bava or Argento or you’re watching Rosemary’s Baby, you realize that not every horror movie has to have a baby that’s exploding with violence and gore all over the place. Thank you Peter Jackson, but you will have to take a backseat to t his one, as it is far more emphatic through the reveal than anything produced in the last 10 years, although, there was that one movie about the orphan that turned out to be an older woman, what’s that movie called again? Something about adoption, who cares, who knows, let’s talk about this child molester’s movie…what, he was acquitted? No?

Rosemary’s Baby is indeed a classic for a variety of reasons. It could be the naivety that is portrayed by the main character, coming up pregnant amidst what seems like a very odd backdrop. Each 20 minute interval reveals another piece of the puzzle and as the movie continues through a variety of steps, it’s leading up to something big, and you know what the twist is, but you don’t know how it’s going to be revealed. The knowing, the slow pace, deliberate lines and lots of clues lead you to believe that there is something going awry, and when all is said and done, it is truly revealed that the devil is in the details, the little hands, and the laughter, and the coven of witchcraft that has produced the birth of the devil!

The movie is drawn out, long, boring and fully realized by a true artist. You really get tense because of the way the plot thickens into a cesspool of cool. Regardless of your take on the director, you will get a chill up your spine the way things turn out. The scariest moments aren’t really gorey, they are just moments that you see how society has changed in many ways. The hysterical wife that confides in her doctor, only to get taken to her husband, who is in on it, or how everyone involved is very much part of a cult. The whole movie churns its way through several momentous plot points, none of which deliver quite like the pay off.

All in all, Rosemary’s Baby is an example of an older movie that has some scary ideas. However, when it comes full circle it’s actually a tad on the boring side. I liked the overall artistry, it’s a work of great triumph, but in the canon of scary films, this one is not going to win over modern fans. However, if you’re a mother, father, pregnant, or are going to get pregnant, this presents a whole new level of fear that is definitely as scary today as it ever was before. Roman Polanski outdoes himself with such grace here; you don’t really get the age until you start to realize this was made in the late 60s. Mia Farrow and John Cassavetes do a fine job here, and I’m surprised at how much money this made when released. It’s a long one, so strap in for a game of scrabble!

The Raven Review

(buy The Raven here)

John Cusack is Edgar Allen Poe in this dark horror thriller of mediocre proportions. It is available now on blu ray here.

When you think of John Cusack, at least when I think of him, you often times remember the guy that is always chasing that one lost love. Whether he’s in the middle of a break up or he’s trying to win the affections of a hot chick that won’t give him the time of day, Cusack is known for wearing his heart on his proverbial sleeve, and this movie in some ways is a culmination of all his previous work, only it is wrapped in the fat head of Edgar Allen Poe.

The movie is a tale of thrilling proportions, or at least it tries to be, with a gothic feel that is quite interesting. There are a lot of components to the way the actors portray the characters that makes it fit for a stage play rather than a full-length movie. In fact, I often times wondered what it would be like to see this in person live on stage, but that would mean having a lot of money because good quality stage plays cost a lot of money to see live in Los Angeles.

The Raven moves through several acts where Poe played by Cusack, has to go through a series of grizzly murders in order to find a missing person, buried alive. The whole movie rings of Poe’s stories and really does a good job with the visual representations of the writings. However, the movie starts to slow down and get really boring towards the third act. Even though there is a slowdown, it’s still has a great deal of action, suspense, and a plot twist that you may see coming a mile away but cheer for anyways.

All in all, I liked The Raven, even if I did have a few problems with the pacing and the overall story. This work of historical fiction really does make me a tad bit more interested in Poe’s work, even though I already find what I know about his writings to be fascinating. For those that haven’t read his work, you can purchase his books here. For those that are familiar with his work the visuals are going to be cool, but the movie as a whole? Well, that’s debatable. It leans towards greatness visually but lacks a certain gusto that I would want from horror movies. Your opinion will vary, I’m sure.

Top 5 Valentines Day Movies

The month in which lovers decide to enjoy their courtship and all that jazz is fast approaching. For lovers of horror movies the day can mean a nice romantic dinner followed by a movie of epic gore, followed by whatever it is you’d like to do afterwards. For this list, we’ll focus on the top 5 Valentines Day movies. It’s bittersweet for me because February 14 is my birthday, my sister’s birthday, and a day in which society says that I should be even nicer to my girlfriend, although I try to do that daily. Whatever the case is, here are 5 movies you want to check out.

#5 My Bloody Valentine 3D

A mining community gest an insane bloodbath of terror in this remake, which was not necessarily needed, but still got made by Lionsgate. I for one saw it in theaters when it came out, and was thrilled with the way they did it. The 3D is a bit overblown, but I found it to be quite alright when I saw it again at home. In theaters, I didn’t find it to be as good as I did later, and it is now my #5 pick. You can scope this one out new/used by clicking here.

#4 Let The Right One In

I love foreign horror movies, heck I love foreign movies in general. This one is the better version as it is striking and quite insane when the reveal is finally peeled away. This Swedish movie doesn’t force you to use an allen wrench to watch it, it simply presents a budding relationship between a young vampire and a boy, and well, things get bad, really bad. You’ll enjoy it on a level of romance that is sometimes left to childhood sweethearts or tarts, whatever. You can buy it new/used by clicking here.

#3 Scream

Who is killing off teenagers in a small town? The high school kids each gets taken out and when we are introduced to the killer it’s all about a lack of SEX. My girlfriend and I named our cat partially after the main character, and this was an awesome flick that still holds up today. Scream produced a ton of sequels and even the latest one had me enjoying the popcorn one more time. This is a good one; check it out on the special lover’s day. You can buy it new/used by clicking here.

#2 Bride of Chucky

You know you can’t miss this one, it’s a loving tribute to couples everywhere, and Jennifer Tilly is smoking hot as a little doll. Chucky gets a new gal pal and they seriously want to takeover. This is a classic, it’s terrible, but hey, not all horror movies are going to win Oscars, ok. You can buy it new/used by clicking here.

#1 The Bride of Frankenstein

When it comes to custom making a woman, here is an awesome example of why you should just leave it up to God. In t his sequel to the original, the Bride of Frankenstein is created, comes to life but has a mind of her own! Oh now, a woman that thinks for herself? What next women drivers? I kid, I kid, but come on; this is the number one movie for lovers, right? Right? Click here to pick it up new/used or in a box set.

What are your thoughts? Drop me a line, let me know what you think, it’d be nice to have comments on here.

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A Piano In the House Review

When it comes to Twilight Zone, there are episodes that are scary and there are episodes that rely heavily on the human condition. They exhibit humanity in a way that is going to be quite difficult to find scary. In this 1962 episode we go through the human emotions that we most likely have to deal with on a regular basis as adults, that of lying to ourselves.

The show is quite interesting, it features a variety of different takes on the classic notion of be careful what you wish for. Once again, I had to think about a variety of different points in my life while watching this, and each of the plot’s twists and turns recycled moments where I could relate to the showcase. This cautionary tale from the show really uses a great amount of timing to deliver the final punch line of what is otherwise a practical joke on the main character.

A Piano in the House follows the story of a man that wants a player piano in his house for his wife. He gives it to her and tells her that she could never learn to play it, so he buys a player piano that automatically plays music. However, when you play songs it causes the true nature of the listener to come out and that’s where we see some greatness in psychological story telling.

Think about it in your own life, do you ever act differently amidst certain stimulus? If the answer is, no, you’re a liar. There are certain things that make us louder, truthful, and even psychotic. I know for me, drinking opens up a wealth of rambling that is not worth listening to.

This episode was ok, it wasn’t my favorite, but it definitely was worth noting for the way personal relationships can grow sour. There is a cool twist at the end, so make sure that you check this one out.

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Paranormal Activity 3 Review

(buy from amazon here)

I heard a lot about these movies and every year there are a lot of different ads being pushed about the movies. I’m not necessarily a big fan of scare tactics which is what the movie series is all about, well, that and shaking camera footage. If you guessed that I would be reviewing Paranormal Activity 3 than you are probably psychic or you read my post-it notes. I managed to sit through this sequel the other night instead of reading a book, and I am regretting it, but then again, I regret a lot of the movies that I end up watching for the main purpose of reviewing on this website. Sure, I’m a fan of horror, but some things are just awfully slow moving. With that in mind, here are my petty thoughts on this movie.

The movie is your classic haunting tale at first. A family goes into a house and bad things happened before. But that’s not how we are introduced, a box of videocassette tapes is delivered and through the footage strange things start to happen in the home. Is it a ghost? Is it an entity? I don’t know, but it sure is creepy when things start to happen.

You have to pay attention to what is going on throughout this movie. I turned away to stop my cats from killing each other and my girlfriend told me something crazy happened. I could’ve rewound the movie but why? This isn’t vhs era, man I miss those days. Remember the oversized porn boxes? They had cardboard trays inside, oh never mind. There are a lot of boring, things that you will find in this movie especially a lot of dead air. The camera moves left to right and no sound is heard, and at times only a sheet is seen. However, much like a “Where’s Waldo” book, you better be ready to notice what is going wrong, otherwise it’s very quiet.

By the time something really starts to happen, you don’t care, I know I didn’t. Sure there were some moments where evil seemed to takeover, but I didn’t really like it.

My main problem with this movie was that the entity in the movie focused at o ne point at harming a child. I always find that killing children, abusing them, and targeting them for the sake of horror or entertainment is just not something I want to enjoy. It bugs me. It’s odd because I have seen some sick stuff, including many graphic violent and rape scenes, but when you mess with a child, I start to lose interest. With the exception of “Who Can Kill a Child” in which the children were killing all adults and if it the sole survivor didn’t punch out a few children, he was a goner just like the rest of the party.

Paranormal Activity 3 is boring, yet effective. I can see why many people love it, but I don’t know if I loved it. No, I do know, I didn’t love it. It’s slow moving, it’s creepy, and well it’s boring. I did find the jump scares effective, but it really isn’t that great. Maybe you’ll disagree, and if so, drop me a line, otherwise, eh, it’s ok at best.



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If you want to support the efforts of this site, and me (sir jorge) you can do so by buying things on amazon through the links I provide, or you could donate some money via the link in the sidebar. If you would like to see LESS ads, you can subscribe to this website via the RSS feed link on the right. I am 100% freelance, and a pro-writer, I only write and go to grad school, so this site helps me get a cup of coffee and rent horror movies. Please help if you can, otherwise, enjoy the blog.

Hellblazer Original Sins Book Review

(buy on amazon click here)

For fans of horror literature and comic books all the same there wasn’t a lot to love in the mainstream, although there were always graphic comics released in the underground. Then things started to unravel in the late 80s with a lot of super hero stuff getting dark, so some of the mighty comic companies put out a horror themed book that would change the face of one young reader’s mind (me), and that book was Hellblazer. We were introduced into a character that fascinates throughout the series and it all starts for new readers with Hellblazer: Original Sin a graphic novel for fans that haven’t picked up all the issues of this dying series from Vertigo.

Original Sins is the first 9 issues of the comic book series alongside Swamp Thing #76 and #77 towards the end. Readers get introduced to the series from the beginning and a little taste of where John Constantine first started out in another series, which is usually how these things work out. The character is a chain-smoking lad that comes from Liverpool and runs into demons, supernatural worlds, and gets into some dark subject matter that might offend youngsters and parents alike.

He’s a perfect portrait of an anti-hero, an ass of a man that is somehow cherished and dare I say loveable. He has flaws, but there is a good sense of caring written in to his mean streak as he looks into a variety of cases of the unreal. From the very first official issue of his series we find Constantine looking into the case of a demon possession through New York City much like many super hero characters before him. The demon in question jumps around and makes serious problems for our hero. He must get the help from a magic man named Papa Midnight who aligns himself from time to time with John to control demons and the likes. He got his own spinoff at one point.

As you continue to read Original Sins you start to go through the story of Constantine fighting demons in our world that are (for lack of a better word) yuppies by nature and are watching economic growth and the likes. Readers are introduced to a female character that saves the humanity of our antihero, her name is Zed and lets a bit of a foil come through when dealing with what is otherwise a solo project for Constantine. The book continues through story after story of religious and satanic entanglements and really poses to be an interesting arc of stories from the original issues before getting treated to a cool two-part Swam Thing story from the past.

Should You Buy John Constantine Hellblazer: Original Sins?

The short answer is YES.

The first volume of this fascinating series gives you a good taste of everything you’d want from a horror comic book. It includes original covers, sketches from the artists and if you’re a fan of Dave Mckeane than once again you will be treated to awesome artwork. Even though the series is going to be put to an end, you clearly see why it lasted so long with this first book collecting the first signs of life for the iconoclast. Vertigo does a great deal for fans of alternative graphic media, and I for one am a huge fan. John Constantine Hellblazer Original Sins is available by clicking here. It gets a 5 out of 5 rating in my humble opinion.

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If you want to support the efforts of this site, and me (sir jorge) you can do so by buying things on amazon through the links I provide, or you could donate some money via the link in the sidebar. If you would like to see LESS ads, you can subscribe to this website via the RSS feed link on the right. I am 100% freelance, and a pro-writer, I only write and go to grad school, so this site helps me get a cup of coffee and rent horror movies. Please help if you can, otherwise, enjoy the blog.

Texas Chainsaw 3D Review

Texas Chainsaw 3D Suckas!

True fans will love it; fake fans will call it stupid.

Last weekend I was excited, I took my girlfriend to see Texas Chainsaw 3D and was excited to see something horror related come to full release, and I was adamant about seeing it. I was reading early reviews on twitter and couldn’t believe how many people were trashing it, including a site that claims they review the “best horror movies” and I immediately went on a tirade to try and cajole people into having fun at the movies once again. I did get feedback from someone that listened to my cries for desperation and end up going through with it and they LOVED IT!

The movie follows up directly after where the first one ended, and it featured some of the same style of film making in the opening credits. The story follows a young girl that is the last female of the family that was killed after the original film concludes. The film features Tobe Hooper’s characters, Bill Moselely, and so many other original actors from the original, and I could’ve sworn that Tobe Hooper produced it according to the credits that rolled before the film, but I’m not 100% sure if that was the end result.

The movie followed a good overall story where the heir to the home of the original family of horror in Texas has a miserable time dealing with her cousin. When leather face realizes that she’s a family member he turns into a sort of antihero that punishes those that burned down his family’s home. The movie then leaves a gap open for subsequent sequels.

There are a lot of different pieces to this puzzle, but the most important parts are that we might get a new set of movies that are related to Tobe Hooper’s original characters. I thought the movie was fun, great, and full of good 3D jump-starts. I saw it in a sold out showing with a lot of African American teenagers and it was the most fun I’ve had in years. Not since Freddy vs. Jason have I fully endorsed seeing a movie in theaters with a crowd. I was rolling in my seat, enjoying myself, and just loved every minute.

Sure, there are dumb moments, sure there are parts that seem overly polished, and logic can easily be interjected to ruin the fun, but you know what?

This is NOT an Oscar movie; it’s a horror movie. If you didn’t like it, you don’t like the genre. It’s a fun romp, much different than the original, much more like the second movie with Dennis Hopper and a great continuation of the story. From what I read online Tobe Hooper loved it, and if anyone didn’t, screw you. I’m sick of all the negative reviews, people should see this if they are fans, and they did, #1 movie in American baby!

HELL YEAH!

Loved it. You will too.

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American Horror Story Season 1 Episode 3 Review

American Horror Story is one of the more addicting horror television programs that I’ve seen in a long time. Each episode keeps drawing me into a whole new world of story telling and second guessing. I thought I had this thing figured out, then a wrench is thrown into my view, and I have to think on my feet to get moving towards a resolution. The third episode brought onto the screen several different story milestones and things are just beginning, which makes this so much better to watch than your average movie.

At this point in the story we get to find out the original owners of the house of murder, as they are calling it. There was a strange doctor that was giving abortions to women in his basement and there are some interesting Frankenstein moments where he’s working what appears to be a chimaera of sorts. The visuals here are impressive, and I definitely thought hit was a strong point in the episode.

Meanwhile in the present, the marriage that has been rocked by infidelity continues to unravel when the mistress shows up and says she’s keeping the baby. Our two faced friend comes through with a much needed helping shovel to the face which was awesome. However, not all is safe as the doctor is being drugged by someone, and he think it’s the maid!

This is quite the interesting point in the series, with a murder, a helper, and someone trying to drug the man of the house. I liked the way it was going, and it was apparent that the show is building up to something. I haven’t quite made out whether everyone is dead, if only a few of them are dead, or this is all a dream.

American Horror Story season 1 episode 3 really does do a good job of mixing storytelling with horror in a quick capsule of around 40 some odd minutes. It kept me interested, which is hard to do with television programming. I’ll have another review updated sooner than later.



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American Horror Story Season 1 Episode 2 Review

After yesterday’s sex filled episode featuring a guy in a full gimp suit, I was wondering what the second episode would have in store for me, and it really let me down in the sexual department, although there were definitely some nice overtones. This second episode opened up with a 1970s serial killer rampage inside the home that the new family is now living in, and it was done quite good. Without revealing too much gore the shots were well edited, and the elements of fear were set into motion within a few minutes of the opening sequencing. I thought it was a great opener and really set the tone for everything else.

The show moved into an odd story line in which the father has to lie about going to Boston to see his former lover, and in the meantime the wife and daughter are terrorized by a group that is hell bent on reenacting the crime from the opening sequence.

This episode did two things very well, it told another piece of the story about the house, and it also set up another distrust angle between the husband and the wife. I thought those two emotional connections really shown through the underlying tension that was had.

Visually, this second episode ramped up things and while I was still confused by a great deal of the plot points, I found myself mesmerized with many of the details, wondering how far this thing would truly get. I found that there were some great moments overall, and the clichés that plagued many slasher films were not found here. In fact, it was quite the opposite, getting me to cheer for the family as they fought their way back to life rather than accepting the fate of a serial killer or the rampage of lunatics.

The end of the episode left me thinking about what I would do in the situation, and I wasn’t able to answer. I’m probably a big wuss. Episode 2 of American Horror Story Season 1 is quite good, and is still delivering one hell of a punch.



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American Horror Story Season 1 Episode 1 Review

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