|Get Out (2017) Poster|
Jordan Peele is known for his comedy, and this movie is not a comedy. The movie dives deeper into the issues of xenophobia than any other movie in the genre that I’ve seen in a while. In fact, you’re going to get hit hard with a racial element as Allison William’s character is taking her new boyfriend to meet her parents, and the family that lives in what I can only assume is a massive mansion. Well it is, but come on. Anyways, Chris Washington and Rose Armitage visit an all white community and it appears that Chris is the odd man out, having to put aside the notion that he’s not fitting in, cause he’s black. This comes through in a very specific manner that I’ve felt all of my life, even now in the Midwest. I’m distinctly Mexican, and feel the pressure of who I am whenever I’m surrounded by this type of situation.
The movie continues, with our main character finding out that people are getting hypnotized in a way, and the movie continues to reveal the sinister plot. Mix elements of “Parts: The Clonus Project”, “The Island”, and “Extreme Measures”, and you start to see where Peele may have found inspiration to create a racially divided movie. There are even a few nods to “Gattaca” if you reach hard enough, with an element of bio-engineering for good measure.
Where’s the gore? That’s what I was wondering as I watched this movie progress. Yes, it’s a tightening gyre of sorts, but the 103 minutes really is more of a cinematic treat, then it is a horror fueled masterpiece. The social commentary that underlines the movie’s key reveals, and points, alongside the third and final acts really pushes the boundaries of suspense and thriller genres, not horror. The lack of gore, and the placement of characters makes this a great follow through, but at the end of the day, it falls flat for me.
Is this a horror movie? Not really. It’s more of a thriller with some horror elements. The lack of gore is one thing, but there’s something else missing, and I can’t really put my finger on it. However, the movie is a good one, for what it is, and a surprisingly well paced, interesting movie that pushes a lot of buttons, but gives you a little too much “rose” at times. The comic relief was good though, and for that, I’m going to recommend this one. It’s a somewhat well balanced, interesting take on the genre, but it’s not as “horror” fueled as some may want to say. I could go deeper into this movie, but honestly, I don’t have much more to say than what many other better writers have already said. Visually it’s good, the plot moves swiftly, and it’s well edited, and thought out at times. I liked it, and perhaps that’s the most important aspect of this movie. "Get Out" has a nice punch, and a great idea, with less horror and more suspense and thriller elements than you can shake a fist at. It's like watching modern day "Twilight Zone" in some ways.
I give this movie a 4 out of 5 rating, and recommend it.