Wednesday, December 23, 2015

Video: Did Disney Kill Star Wars - Yep, Selling Out Your Childhood

Disney Kills Star Wars Franchise? - Some Say So!
I am wide awake, and found this clip from Alex Jones. Now, regardless about how you feel about Alex Jones and his politics, you should check out this spoiler filled expansive review about the latest Star Wars.

I already said that the new Star Wars Sucks. But here is a great analysis of Star Wars, and how stupid it truly is. This whole movie was made to sell you merch and take your money.

"I don't mind marketing, but put good art out and make money, don't just make art to sell things."

Tuesday, December 22, 2015

They Live Skateboard Decks From Baker Skateboards - Out Now!

Ever see the movie "They Live"? of course you have! Well, every now and again I see skateboards put out in tribute of horror movies. This is one of them. Baker Skateboards just put out a series of skateboards in tribute of the movie "They Live" and they are featured below. They feature the same style of serious elements that you saw on screen when Roddy Piper would put on those special glasses.

If you're interested in purchasing these skateboards, you can do so by going to Amazon by Clicking Here. You will receive free shipping. I think these are worth putting up on a wall, personally.

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Saturday, December 19, 2015

The Twilight Zone Mr. Denton on Doomsday (1959) Review

Mr Denton Contemplates Fate
Back to our regularly scheduled program, we have been discussing The Twilight Zone from start to finish, and here I am with another edition. This time around, we are at episode 3. This episode originally hit the airwaves in 1959. It stars Martin Landau, Jeanne Cooper, and Dan Duryea. It’s well acted, streamlined, and hits you right in the “what if” cycle of life. There are some interesting puns used for this episode, and things really get through to a whole different wavelength then the previous two episodes of the series. This is a serious mind numbing episode, because if you’re like me, you are a bit anxious about your own abilities. The story is interesting, set in the wild west, a drunkard is made to dance and sing for his drink. There is a group of bullies that continually tease and cause him to dance and drink, and he hits rock bottom. Jeanne Cooper here is absolutely beautiful, as she comes out of the saloon to talk to Denton and encourage him for to change. Denton being the drunk.

Thursday, December 17, 2015

9 Major Reasons Why Star Wars The Force Awakens Sucks

Face It, Star Wars Sucks
I’m not going to sit here and type that I’m a revered critic. I’m not. This page is not even on the radar. Even though I did manage to win 2 Golden Popcorn Awards, this page gets less views than an old Vicca VHS tape. The new Star Wars movie is here, and unless you’ve been living under a rock, you don’t know that. I for one am so sick and tired of the marketing. I don’t need Star Wars branded TACO shells! I’m so tired of getting hit with the super marketing push that has nothing to do with the movie, the franchise, or anything at all with cinema. I don’t need “dark side” oranges, or Yoda branded grapes!

Ok, I’ll digress.

There are a LOT of people praising the latest in the Star Wars movies. But I am not so quick to say that this is a great movie. Just like the Dark Knight Returns, I am calling it for what it is, a lackluster, crap shoot of a film. Simply put, this movie sucks.

I’m not that eloquent in writing sometimes, so instead of hashing out a diatribe, I’ll just give you 9 reviews that highlight what I’ve been saying since this movie started and it’s now on our proverbial tables. This movie sucks, and the franchise sucks. It’s overrated, and I’m tired of getting lambasted when I speak my opinion about it.

Here are 9 major reasons or rather reviews that showcase how much Stars Wars The Force Awakens sucks, and how the marketing can go to hell. I’m tired of it.

9 - It's The Same Movie?!

Whether Abrams’ obsessive-compulsive relationship to George Lucas’ 1977 original works for you is a subjective question, of course. You can choose to understand “The Force Awakens” as an embrace of the mythological tradition, in which the same stories recur over and over with minor variations. Or you can see it as the ultimate retreat into formula: “Let’s just make the same damn movie they loved so much the first time!” There are moments when it feels like both of those things, profound and cynical, deeply satisfying and oddly empty. This is the work of a talented mimic or ventriloquist who can just about cover for the fact that he has nothing much to say. He has made an adoring copy of “Star Wars,” seeking to correct its perceived flaws, without understanding that nothing about that movie’s context or meaning or enormous cultural impact can be duplicated.


8 - JJ Abrams Sucks As An Action Director (DUH!)

As in his other movies (including Super 8 and Star Trek films), Abrams doesn’t seem to know how to frame the action, dramatically or visually, to maximize the good and minimize the bad. The setup for the climactic set piece, which echoes the three friends in The Wizard of Oz sneaking into the witch’s castle to rescue Dorothy, is almost embarrassingly perfunctory, and the security for all First Order facilities appears set at pre-9/11 levels. The film’s strokes of visual panache include the funereal throne room of Supreme Leader Snoke (Andy Serkis), who looks like an enormous version of Edward Munch’s “Scream.” But Abrams can’t pull off a Triumph of the Will extravaganza, whether with his sub–Albert Speer architecture or Domhnall Gleeson’s glazed face and frozen rabble-rousing as General Hax.


7 - It Is Just Paying Fan Service (Nostalgia)

But The Force Awakens is still more or less a fetish object, a film that exists to inspire phrases like “It feels like Star Wars again” ad nauseam from a fanbase that equates the lasting impact of Lucas's prequels as something akin to PTSD. Its analog grain, practical effects work (shrewdly augmented with CGI), and the impression, at least, of a new story in this universe being told, rather than the predetermined one we were subjected to last time, lend Abrams's effort a baseline rejuvenation, one he and returning screenwriter Lawrence Kasdan stoke throughout with the kind of nostalgia this series has been exploiting since it first co-opted John Fordian vistas and plot points from Akira Kurosawa films.


6 - It's Just The Same Movie (and the same as #9 on this list)

He hasn’t made a terrible picture—just a safe one, where the farthest reaches of fantasy feel merely routine. Every crisis or moment of drama turns out to be a rehash of one that has gone before. Even Luke’s pivotal discovery from The Empire Strikes Back, in which he finds out that his greatest enemy is also his closest relative, is repeated here in a different form, with two characters unexpectedly occupying branches of the same family tree. 


5 - People Are Willing To Pay Money No Matter What The Movie Is Like (lame)

Some things are the same but updated, an orphan in the desert with a mysterious heritage, a swashbuckling pilot, a plucky droid. And some things are simply the same: C-3PO and R2-D2, the Millennium Falcon, and oh yes, the Force. The unkind view — the cynical view, the greedminded view — is that there is no need for new ideas when people will line up to pay for old ones. 2015.


4 - Either Abrams Doesn't Know How To Pace Himself Or He Doesn't Know The Audience

And yet The Force Awakens adds up to something less than the sum of its parts. The early scenes have a relaxed, assured pace. But as the story moves forward, Abrams becomes more mired in the task of keeping the plot mechanics in gear. There’s the expected climactic battle between X-wing starfighters and TIE fighters, which is mildly exciting and nothing more—the fact that it’s punctuated with dumb dialogue like “General! Their shields are down!” “Prepare to fire!” and even the classic, “It would take a miracle to save us now,” surely doesn’t help. And the movie’s big twist, clearly intended to be a moment of Shakespearean grandeur, is handled clumsily: Instead of allowing a significant figure to have his grand moment, Abrams cuts to other characters expressing shock and dismay, as if he didn’t trust the audience to know what to feel.


3 - It's A Boring Rehash of The Same Ideas As The Original, emphasis on BORING. 

 Pero me fui deshinchando progresivamente, me aburría el más de lo mismo y me resultó francamente pesarosa la segunda parte de la saga.


2 - We Have Already Seen The Same Gags and Tricks For 30 Years! 

But we have had 30+ years of movies aping A New Hope, with some (Pirates of the Caribbean: Curse of the Black Pearl) being better than others (Pan, Lucas’s own Willow). So it is a little disheartening to see the former champion playing the same game as would-be pretenders.

You can make the case that I was hoping to get “the Star Wars movie,” promised in the grandly mythic trailers but instead got merely “a Star Wars movie.” 


1 - It's Not Well Made, It's Clunky, and Abrams Doesn't Know How To Handle Visual Style

The picture feels a bit clunky, as if on stilts, until the action takes place. Roger Ebert had a cynical observation about whom the Oscars rewards, to paraphrase, “He who acts most acts best.”  Though not as acrimonious as Lucas’ prequels, which aren’t even worth consideration if we’re to be serious about any kind of analysis, Abrams feels off balance when he’s not running.  I can relate, but I have poor motor coordination because of my cerebral palsy. What’s J.J.’s excuse?

THE FORCE AWAKENS also suffers from Abrams’ lack of a visual style.  It’s not due to technology.  He insisted on real locations and a film medium as opposed to digital cinematography. RAIDERS’ cinematographer Douglas Slocombe, like Peter Suschitzky on EMPIRE, had an easily deconstructed style that was consistent and appropriate for the tone Spielberg wanted for his homage to b-movie serials.


There you have 9 reasons why Star Wars: The Force Awakens sucks. I used these sites as quotes because they didn't just go for nostalgia and say this was a great opus. It's not. It's another pull to make money, and while I don't care if people make money in a business, I do find that some things aren't worth their salt, and this again is not worthwhile. I'll save my 30 bucks and pay some bills, get a coffee, and go back to whatever it is I do. But if you're honest with yourself, and you read these things, as well as see the movie, you will see that it's nothing grand. Heck, it's about as exciting as a 70 year old man kicking an up and coming WWE superstar. I suck at writing, which is why I linked you to 9 good writers. I'm done. This sucks. 

Wednesday, December 9, 2015

The Twilight Zone One For The Angels – Season 1 Episode 2 (1959) Review

Twilight Zone - Episode 2: One For The Angels - Blu Ray Here
The second episode of the mighty Twilight Zone series was definitely a serious one. It hit me hard as I watched it again for the purpose of a review for this site. This one written by Rod Serling, is a powerful, and moving story of a man that meets up with death. Ed Wynn plays Lou Bookman, and Murray Hamilton plays “death”. When a man is approached by death himself, he starts to panic, and tries to get out of dying, as he wants to continue staying alive. It’s his time though, but Bookman, finds a way to get a little more time, thinking he has outsmarted death this time around, and therefore puts on a showcase, only to find out that if he doesn’t go, someone else just might. It’s there that the morality play starts and ends, in my opinion.

Monday, December 7, 2015

The Skin I Live In Review

The Skin I Live In - Blu Ray/DVD Combo Available Here
Pedro Almodovar put together one of the most compelling and horrific movies I’ve ever seen. I forget to talk about it, so today, we’re going to take a look back at the 2011 movie “The Skin I Live In”, as it is one of the most horror filled, psychological thrillers I’ve ever seen. It’s a very fascinating movie that moves towards horror as the story reveals. It’s perhaps the finest Spanish movie I’ve seen in a long time, and if you haven’t seen it, oh boy, you’re in for a serious trip.

The movie is simple enough. A plastic surgeon has been working towards helping create a resource for individuals that have skin disorders. He works on mice, and there’s been great results. He talks about how he has been working with live individuals, and upon doing so, he is fired. The doctor now without help is told to stop experimenting immediately, etc.

Saturday, December 5, 2015

The Twilight Zone Where Is Everybody – Season 1 Episode 1 (1959) Review

Where Is Everybody? Episode 1 Season 1 of The Twilight Zone
As promised, here we go, talking about all things Twilight Zone. We start with the first episode entitled “Where Is Everybody”. Going back to see this one, my wife and I were guessing as to the plot twist. Knowing full well that Rod Serling twists and turns in his writing, we each had different ideas as to what was going on with the character.

In this episode a man finds himself alone in an empty town. He has a lot of dialogue, and yet he isn’t talking to anyone. He keeps looking for people and eventually gives up. When a phone rings, he figures he has found someone and can call for help. It’s to no avail. As he goes through the empty city, there are signs of life, but he starts to panic. As panic keeps setting in he eventually realizes that he’s alone, and perhaps he may be the last one. The direct symbolism that is shown with the books “The Last Man On Earth” really comes through as our hero runs into mirrors, tries to figure out what is going on, and just can’t seem to figure out what is going on and why he is stuck.

The Twilight Zone Season 1 Blu Ray - On Sale here!

Pick Up The Twilight Zone Box Set by Clicking Here, and save up to 40% on the complete Blu Ray Edition of the series!

Earl Holliman here does a great job. He plays it straight before going into a deep madness. When he thinks it’s all over, we see a group of men sitting in a room watching. They are from the Air Force, and it’s revealed that our hero was stuck in a sensory deprivation, virtual reality room. It took him 484 hours and 36 minutes to finally panic from the isolation. As the press rushes in they question the Air Force, and it is revealed that they were testing to see how long a person can last alone, traveling in space, and that Mike Ferris was able to go 484 hours, ample time to get to the moon and back without going insane.

With the Twilight Zone’s first season, you really got a sense for the series. Earl Holliman should be praised for his acting skills in this one. He plays it well and then goes insane over the course of a half an hour. The writing is crisp, even though it was originally aired in 1959. Rod Serling has a way of writing very well, with good overall music by Bernard Hermann, and cinematography by Joseph La Shelle.

This episode made me question isolation myself. How long could you go without human interaction? I work solo, as a writer. I haven’t had a coworker since 2009. I wonder how long it will take me to crack? Until then, this is a great episode of this classic series.

The Twilight Zone Complete Season 1 is available here on Blu Ray. You can also see it via streaming  media, but if you want to collect this, go for it, and get the box set by clicking here. It’s well worth your time, if I do say so myself.

Friday, December 4, 2015

Reviewing The Twilight Zone Episode by Episode

The Twilight Zone 
Here is a novel idea. Why don’t you review all of the Twilight Zone?

Well, since I don’t really have 2 hours of my life to invest everyday, I will be working through every single episode of this iconic show that I can get my grubby hands on and will review them hard style. That’s watching everything from the start, and then moving through daily with each episode. This may work out to be a big bust, but why not test the waters and go for it?

Before I launch, why not take a few moments to look back at all the Twilight Zone related stuff that I’ve covered here. Also, I will be posting up gift ideas for fans of the Twilight Zone out there. I’m a huge fan, and well, it’s time to take a good look at this show.

Sunday, November 29, 2015

Jay Dune Presents Holiday Horror Movies To Watch This Christmas - Kindle eBook

Holiday Horror Movies by Jay Dune
My friend Jay Dune published some stuff from his old Kung Fu Corner blog, and yesterday I was informed that he finally published his collection of recommendations for Holiday Horror Movies!

Now, you may know that I covered a lot of holiday horror a few years back, but this is all new. I also wrote a little forward to it. It's 99 cents, and it's kind of cool to be a part of the think tank for these things. Anyways, if you have 99 cents, check out this Kindle book, it's kind of cool. 

Tuesday, November 24, 2015

Shadow of A Doubt Review

"Shadow of A Doubt" (1943) Blu Ray 
Turn back the clock to 1943, and you will have a different view of Hollywood. Movies didn’t always rely on explosions and cheap tricks to get you entertained. They featured strong performances from actors, great lighting, camera tricks, and professional writers that knew what they were doing. Of course this is a classic in many people’s views, and it was nominated for an Academy Award because of it. "Shadow of A Doubt" is a movie that was directed by the master of suspense and horror, Alfred Hitchcock. It stars Teresa Wright, Joseph Cotton, Macdonald Carey, and Patricia Collinge.

The plot of this one is simple, Charlotte Newton is stuck in a boring town, and gets the news that her uncle is going to come to town. Set in Santa, Rosa California, this seems like a simplistic plot. A young woman is getting a visit from her uncle and that’s it, right? Nope. Her Uncle is hiding something, but what? It turns out that he is a slasher, and she worries that she may be his next victim. Over the course of the 108 minutes of this movie, she unravels a case against him, and eventually confronts him.

The movie here is going to be boring to many. Remember, this is 1943 in which the film was released and you are not going to get the modern fast paced story telling. There’s a lot of dialogue and push forward to give a sense of suspense. Even though there are some marks of horror, you’re going to find that this is a straightforward thriller, with a slow progression that tightens towards the climax. The final moments carry over into an epilogue that has a sense of finality, but overall, you find a standard suspense film. Is Uncle Charlie a killer? Is Charlotte just worried for nothing? You find it through the sequences that Hitchcock masterfully puts together.

Visually this movie is good, with cinematographer Joseph A. Valentine doing a great deal of work to make this story come to life. I find it refreshing to see Charlotte as a strong female lead, and not just running around screaming for her life as a killer is on the loose. She has resolve, and is a feminist heroine that most people skip over when thinking about horror and suspense.

Overall, this is an instant classic. You have to be in the right frame of mind to enjoy it, however. It’s in black and white, it’s somewhat slow to start, and definitely requires your full attention to get the work that Hitchcock pushes through. You may not like it. However, if you’re a fan of the classics, this is a great one to sit back and enjoy. They remade this one as “Step Down To Terror” in 1958, but this one is better, in my opinion.

Pick up “Shadow of a Doubt” on Blu Ray if you know what’s good for you. Otherwise, stay in the dark and never learn just how good Hitchcock was as a director.

Wednesday, November 18, 2015

5 Compelling Reasons We Need A New Twilight Zone Series

Is It Time To Revive The Twilight Zone? (click here)

There’s something great about the moment you hear Rod Serling speak before an episode of his iconic series, “The Twilight Zone”. When you hear his pragmatic, stoic voice, you know that you’re going to enter a world where the rules of this world start to bend and become out of focus. In modern television, there’s not a lot of showcase of the type of science and fiction that came through the iconic series. Even though several different decades featured updated programs with the same name, it’s time to reenter the world Serling and others created. There are 5 reasons why you may agree with this notion, and they may surprise some readers.

There’s A Lot of Great Ideas Out There

Even though some will say that there’s nothing really new under the sun, there are some tremendous ideas floating around. Every day someone tells a story to their children, to their coworkers, or just write things down in a journal. These stories become compelling devices that could very well become great television. Yet they live and die in conversation, in writing, and they never see the light of day. These could be ground breaking, if only someone would give them a chance.

Science Fiction Writing Is Still Thriving

Look at any bookstore today, and you’ll find that there are a lot of science fiction novelists churning out work left and right. They are doing so with the notion that they are one day going to get a shot at the television or movie world. Some fade into obscurity. Others get their work published again and again, and some get adapted to movie and television, albeit in watered down frameworks. The point is, there is a lot of thriving fiction out there, and you can easily twist it to fit the format of anthology television.

Neil Gaiman Could Probably Write Up Some Great Stuff

Have you read anything from Neil Gaiman? He has the notion of fantasy on lock, and you could possibly get him to create a grand display of iconic science fiction. He’s prolific, creative, and quite the charming dude. Ok, perhaps this is a bit reaching, but Gaiman is no stranger to this genre, and could very well put together something on par with Rod Serling’s creative talents.

There Is No Great Anthology Science Fiction Series

Right now, television has a lot of programs that feature anthology story telling. However, none of them have the moniker that “The Twilight Zone” had. Just by that admission alone, there should be something that moves along in this framework. There are more networks than ever before, so it’s not too far out of the reach of many to produce and distribute a show of this type. With a hole in the market, why not fill it with something compelling?

It’s About Time To Go Back Into The Twilight Zone

If the reasons above seem too out of left field, then at least consider that we are about due. There’s been revivals of horror and science fiction before, but in modernity, we have far more financial resources and creative cinematography. It’s just time to go back into a world that is beyond sight, and sound. One that is of mind. It’s due, a new production would be grand.

For those that are nostalgic about all things "The Twilight Zone", make sure that you get the FULL Blu Ray Collection, which collects extra features, interviews, and every episode of the series in full Blu Ray format. You can do so by clicking here. 

Monday, November 16, 2015

Archives From Kung Fu Corner Now Available For 99 Cents On Kindle

For those of you that know me, you may already know that I’m a huge fan of kung fu movies and writing. I helped a friend edit a release for Kindle, it’s from the blogs Kung Fu Corner and other areas that he was publishing. Well, here they are for you to pick up for 99 cents. A portion of these sales will go to help with Scary Film Review, so that I can start a podcast. If you like Kung Fu movies, or just want to help, you can do so for 99 cents for by picking these up.

21 Kung Fu Movies To See Before You Die 0.99 on Kindle

Kung Fu Corner Archives 0.99 on Kindle

The Lazarus Effect Review

The Lazarus Effect is Available Here
Well, what a slick movie we have here. “The Lazarus Effect” came and went fast, but I didn’t see it on the silver screen. I missed it, like I usually do. However, I was able to catch this one recently on Blu Ray, and was actually impressed with some of the elements of this movie. However, like many other science fiction, horror flicks, it really starts to fall apart about midway through the movie, and of course, the ending, oh boy the ending.

I was expecting Donald Glover’s character to die fast, within the first 10 minutes. If you had bets on this, nope, it didn’t happen as fast as you’d think. The movie was a matter of animating death. When a group of scientists find a serum to bring back animals to life, they think that they are going to make billions. What happens next is what usually occurs with corporations. As soon as someone has a break through, they come in and shut things down. The scientists go rogue, and try to do another experiment to ensure the future of the serum, only one of them die. That’s when they go from reanimating animals, to going for humans, fast, and easily.

But the undead, well, are undead!

“The Lazarus Effect” is a fast paced, easy to watch horror flick. It is not full of gore, but it has some good overall cinematography. There is a darkness cast on the whole thing, but the explanation of life, death, heaven, and hell are laughable. If you turn off your brain a bit, you will at least be entertained by how the movie progresses, with some above average acting.

What really struck me here was the language of the science in this movie. The science of things are fast paced, and the classic tropes of science fiction were found here. From the comedic effect, timing of stupid decisions, to the embracing of unethical momentum for the purpose of the greater good, there are some great elements overall. This was ok. It wasn’t great, but it had some good moments. As far as a modern horror movie, this presses heavily on the “be careful what you wish for” type of navigation.

“The Lazarus Effect” is predictable. But it is not boring. On Blu Ray, the sound design is good, there’s a creep factor going through, and the visuals are great. Check this movie out for a slick popcorn horror movie. Not half bad, if you ask me.

Thursday, November 12, 2015

Exterminators of The Year 3000 Review

Exterminators of the Year 3,000 VHS
This is an interesting science fiction trope, but man was it tough to get through. It took me a few attempts to finally see the whole thing, and it’s not easy to watch. This is a foreign film that was originally done in Italian and Spanish. You can tell the dubbing is terrible from the VHS that I got my grubby hands on. The dubbing was beyond terrible, but hey, all for the love of horror and science fiction right? “Exterminators of the Year 3,000” may very well be one of the worst, best, and yet terrible movies that I’ve had to power through in a long time. It’s rough, I’m not going to lie. You probably won’t like it.

The opening sequence was badass. I loved it. It very much has a “Mad Max” feel to it. Some great driving in the desert, and some gnarly crashing, with a lot of practical effects and stunt drivers pulling some turns in the sand. The movie starts with this notion that there is no more water, and that there may or may not be droids driving. I wasn’t sure. As the renegade driver gets out of his car and see son a dead dude, another drives away with his car, leaving him to chase again, and this is the best part of the movie.

From that point we get taken to a movie that is very much like “Mad Max 2”, only now there’s no water on the planet and it’s up to one man to go out and try to save the village. This is where I kept fighting myself to pay attention, but it’s not simple or easy to work with. Everyone is fighting for water, and it very much feels like “Mad Max” with an even lower budget than that movie had. This is an obvious rip-off, but I tried to keep with it and hope that there was going to be more back story, or perhaps less cheese, but nope, things kept going that direction.

This is an abysmal rip off, but I loved how the movie had some cool driving. I’ll give it that. As for the VHS I got my hands on, it’s ok I guess. I’m not a diehard for this movie, so you can easily scope this out if you want to watch it. However, aside from the cars and stunts, this movie is abysmal. It’s by far one of the worst movies I’ve seen in a long time, but the stunts are still cool, so I guess I’ll give them that. From what I read, the writers didn’t have the most fluid grasp of the English language, and well, it shows. If you get to watch this one, maybe you’ll like it, I didn’t love it, but I didn’t hate it so much that I didn’t finish it, so I guess that counts for something right? “Exterminators of The Year 3,000” is not a high recommendation, unless you absolutely must see the influence that “Mad Max” had on the 1980s movie scene.

Believe it or not, "Exterminators of the Year 3,000" is on Blu Ray. If you buy it here, and you like it, drop me a line and you can guest post a review. Otherwise, this stands as one terrible movie in my book. 

Monday, November 9, 2015

Ex Machina Review

When I first saw the trailers for “Ex Machina” I told my wife that I was in. We agreed to see it, but we were in transition. We moved to Indianapolis, and well, we never got around to catching up with this movie at the time. However, I finally got to sit down and watch this one. I liked the style of the trailer, the colors, the language, the visual design flow that was throughout the trailer and of course the editing, wow. I was sold.

The plot of this one revolves around an interesting premise. A computer programmer wins the trip of a life time, to spend a week with the company’s CEO amidst a secluded area. This is like going to Jurassic Park to meet the owner, but without the dinosaurs, and it’s tremendous how they showcase it. I imagine it’s kind of like going to Skywalker Ranch or something. Anyways, the programmer meets the CEO named Nathan and he’s a cool dude. He has a huge estate, gives Caleb the rundown and he is to perform a test with one of the robots that is on premise. The robot has an AI feature that may be evolving to a point of being self-aware.

The movie progresses in the way that you’d expect “Ex Machina” to go. Is the android self-aware? Who is the mystery woman showing up and cleaning? What is really going on? As the movie progresses Caleb’s testing turns into a sinister point in which he starts to lose his mind, as the robot seems to be aware, and Nathan’s been lying to him. Or has he? The movie turns a screw very well, and you never get bored. You are given ample time to digest the movie, and by the time you realize what’s going on, things break loose.

This is a very good work of science fiction. It has a true emotional connection, and there is a lot to see here. I found myself asking questions that were answered by Nathan and Caleb’s discussions. There’s a lot to this movie. You will have a lot of layers going through the motions, trying to pick up what’s going on and you end up in a positive arena throughout, although this takes you into some deep, dark territories.

There’s a certain scary element to it, something about human nature and the need to create. There’s a point where playing God is discussed. But it’s given to a larger vantage point, and by the time Caleb realizes what he’s doing, Nathan’s already two steps ahead, or so he thinks. It’s a back and forth cerebral movie that doesn’t have bells and whistles that you are expecting. There’s no big explosion here, there’s no padding, no slapstick, as the movie progresses into a more philosophical realm. Whereas “Elysium” had a lot more entertainment, this strips down to just the story elements, the science, and the bigger questions.

It’s thematic, it’s sexy, it is gloriously filmed. There’s a lot to this one. It has the best visual style that I’ve seen in a science fiction release up to this point. With a limited budget, and attention to editing, dialogue, and story, “Ex Machina” easily has my vote for best movie to come out in the last year. It gets my highest recommendation. With a limited cast, and a serious touch here and there, you really get involved with the characters, as it doesn’t pull away from being smart, savvy, and entertaining. The use of color, the set design, the science, and the real world touches make this one a must see on Blu RAY.

I highly recommend “Ex Machina”, and you can pick it up on BLU Ray by clicking here. Do it.

Sunday, November 8, 2015

Time Travel In Popular Culture: How Science and Media Collide by Jay Dune Review

Time Travel and Science - Kindle
I’ve read a lot of books on the subject, but nothing has really taken the ideas of time travel and explored them quite like Jay Dune does in this book. “Time Travel in Pop Culture” takes on an interesting world. One that focuses on media and places it within the realms of science. Taking the ideas of fiction and then comparing it analytically to the world as we know it. It also features a few movie reviews in regards to the world of time travel, which makes this an interesting read. It’s not very long, so that’s a plus, but the ideas found within this Kindle release definitely bring about a lot of elements that you may not get with other books. While it’s a good jumping off point, it’s definitely a part of something larger. Perhaps Jay Dune will amend it to get exhaustive in the matter, but for a Kindle release, “Time Travel in Popular Culture” is a good overall read and recommendation. If you like science, time travel and movies, this is a great little gem to read.

You can get this book for Kindle by clicking HERE.

You Better Watch Out For The FANGORIA Santa Box!

Fangoria has announced that they will be putting out a limited edition holiday horror box set. It's only $20, so if you're going to buy something for your significant other, check this mess out. You can search for Fangoria online and find this, I'm not linking them since they aren't paying me. But they sure know how to get my $20, that's for sure.

Season’s Bleedings, FANGORIA Fans! Though Halloween feels as if it was just yesterday, FANGORIA knows that even the naughtiest fright fans have their minds set on how to celebrate their horrifying Holiday Season. Well, don’t fret horror hounds, as we are calling on our eerie elves to put together the FANGORIA Santa Box!

Now available for pre-order, FANGORIA is assembling a wealth of gruesome goodies from around the world of horror, offering a mystery box that is much more than just a sinister stocking stuffer! What could be in your FANGORIA Santa Box? While we wouldn’t want to spoil the surprise in full, you could find magazines, music, exclusive toys, games, collectibles, films and much, much more!

Saturday, November 7, 2015

Amityville 3-D Review

The year was 1983 and Amityville as a franchise started on another release. This is the third in the series, and once again the haunted house became a mere parody of the original story, and book. The movie features the classic 3-D treatment, and even though you can’t really get the same effect today, you certainly see where it was meant to be in 3-D. Orion Pictures apparently only put out one of these things. Oh, and the Lutz family sued over the story here, and it was meant not to be a “sequel” or at least it couldn’t be marketed as such. Whatever the case is, this movie came out and it’s part of a larger legacy of the haunted house sect. “Amityville 3-D” is, well, not that grand.

The thing that stood out this time around, was the fact that Lori Loughlin and Meg Ryan are in the movie! They don’t get top billing, but they are in there. Meg Ryan, for whatever reasons reminded me of Amber Lynn, the porno star, and therefore I just kept wanting to see here show up on screen. I know, I’m weird. Other than these little elements where I would think about adult cinema history, this movie really tried my patience. It’s a slow moving romp for the most part. Tony Roberts does very well here, but the surrounding cast seems forced through the acting elements, and it’s just not a good movie.

Now, the death sequences are interesting, and there are some elements of 3-D that still stand out as a result of the production. The larger story, however, and the “gore” that you expect from the series doesn’t really come out. The house does seem to come alive as a writer and skeptic moves in. I liked the story of the debunking magazine, and liked the opening, but overall, the speed of the production really was a troublesome thing. It’s a boring movie at times, and while it does pick up at the end, most viewers most likely gave up on it. I did appreciate the pick up at the end, as things really started to get out of hand, and the “hell house” came alive.

Overall, “Amityville 3-D” is not the best in the franchise. However, there are a few cool camera tricks, and seeing a young Lori Loughlin and Meg Ryan is really cool. Other than that, this is one that you don’t necessarily need to see, unless you’re like me, and have to see everything horror at least once or twice, or in the case of this movie, 5 times.

Pick up “Amityville 3-D” on Blu Ray as part of a larger set, or something else by clicking here.

Tuesday, November 3, 2015

5 Killer Zombie Movies You Probably Saw But Don’t Remember Much About

I hate zombies.

They give me the creeps.

Ok, that’s not true, I just think that the genre is stale for the most part. While many people will try to argue with me, those people don’t have a blog that has been reviewing horror since 2008, do they? My eyes were burning today, and therefore I decided to call my day early, and this thought crushed my mind, “what are 5 killer zombie movies you would recommend?”, and of course 5 came to mind. Honestly, about 50 came to mind, but I narrowed down the list to just 5 killer zombie movies that you probably saw, but don’t remember, or haven’t seen, or you just want to see because you’re awesome and you want to actually oblige my humble request to buy something via the links provided. Whatever the case is, here are 5 killer zombie movies that you should have seen, should see, or maybe you have forgotten about, as chosen by me, the guy that is still pounding the keyboard like there’s no tomorrow.

Juan of the Dead

This zombie movie came out in 2011, and it’s absolutely a great little gem. It’s a movie that is in Spanish, so it has a soft spot in my mind. The movie is like taking “Shaun of the Dead” and filming it in Cuba. What else can I say? This thing has everything you’d expect from a zombie movie, only done with a Spanish edge. There are a lot of gags here, and some great visual effects. From practical effects to digital elements, there’s a lot to look at here, with some great nods to the classics, and some great elements of new material. The name is funny, the characters are hilarious, and you know? It’s one of those movies that you either saw and loved or you saw and forgot about. It came out in 2011, it’s been a few years, have you seen it? No!? What do you mean no? Maybe it’s on Netflix, I don’t know, I don’t subscribe to the service. Juan of the Dead, it’s a “killer” zombie flick, man.

Cockneys vs. Zombies

This is a personal favorite of mine. It’s another UK zombie film, and has a great amount of humor. Some of the humor is done with “one liners” and some of it is done through physical language. I love the characters, and love how things progress from bad to worse. The old guys in this movie are absolutely wonderful, and make me wish I grow up to be a badass Englishman, instead of a tired old Mexican. It falls through the same tropes that you would expect from a zombie movie, only it has cockney language, and, well, zombies. I don’t know what to say about this one, it’s fun, it’s fast, it’s a grand standing UK gem if you ask me, which you didn’t.

Night Life

This movie came out in 1989 and it was most likely panned. If you didn’t catch this one out, then I’m going to question whether or not you love horror movies or not. This is a horror movie that features a great deal of comedy, and some nice visual effects overall. This movie features a bullied teen, a zombie uprising, a pretty girl, and a fast paced plot. It’s equal parts undead, equal parts sex comedy, equal parts horror movie. Scott Grimes puts on a classic with this one. I don’t see it mentioned much, so here you go, a shot at watching a classic from the close of the 1980s.


Ah, the 70s. The 1970s brought on a lot of great movies, and this is one to not miss. Lucio Fulci put on a showcase of all things schlock, gore, and fun with Zombie. This is a part of a series that doesn’t always translate so well. If you’re into Italian horror, then you are going to love the gore here, which has a lot of cool elements. You even get a killer moment where a zombie takes on a shark! The undead here are funny at times, the practical effects are great, and you know what? The Italians can really put on a good horror showcase. Zombie is a great little movie to track down.

Dawn of The Dead (2004)

This remake was absolutely hardcore. It’s bleak, very bleak. It took on a whole new meaning when Zack Snyder took a classic and reworked it. It has gore, it has taboos, and it holds up surprisingly well. This is a fast, gut wrenching movie with a lot of action. It’s speedy, and it doesn’t pull any punches. Just when you think you got this thing all sewn up, you realize that no one is going to get out alive. It’s a sickening, twisted, and dare I say humorous romp. There are some points of contention, don’t get me wrong, but it’s a killer zombie flick that you should go back and watch again. Released in 2004, it has a tremendous amount of gore, and visual design elements to keep you grounded in all things zombie.

There you have it, a collection of 5 zombie movies that you probably saw, forgot about, or just don’t want to revisit. I did. I love them. I love horror, and I’m just going to get back to my queue of movies that I have to watch, because I’m an idiot still writing a blog that no one reads. Woot?!

Saturday, October 31, 2015

Halloween 2015 Horror Movie Review Flashback

So it’s 2015, this blog is still kicking, even though I don’t always find the time to watch horror movies. I remember when I started this blog. I lived next door to a Blockbuster Video in Seattle. I was at the bottom of Queen Anne Hill, and lived in a new world. I loved being across the street from a good pizza place, next door to a Mexican food restaurant, and across town from the Seattle Mariners. But fast forward, and life takes over. There’s not a lot of things that inspire me as much as those times, even though I was living in a life that I couldn’t sustain.

Today, I am coming to you from across the country. I’ve traveled across the United States, I’ve accumulated more cats than I ever thought I would, and I have love again. I’m isolated in some ways, and open in others. Today on Halloween, I’m just myself. No major costumes, no major element to speak of, I’m just me. I’m sitting here and looking back at the world that I’ve talked about for so long on this blog.

If you are new, or if you are still reading, join me in going back through some of the older posts that I put up in the eve of Halloween from different years. Click through and read my thoughts in October from the past. Tonight, I will probably sip on some coffee and just stay home with my cats. But a horror movie may be on, and I’ll reminisce on some of the things that I’ve talked about here, and will continue to post as I go through. So with that in mind, here are some posts and movies you should check out tonight, Halloween 2015.

Elvira Mistress of the Dark via October 2014

Anna Scream Queen Killer via October 2013

8MM via October 2012

Scream 4 via October 2011

Stigmata via October 2010

Saw VI via October 2009

Ted Bundy via October 2008

Friday, October 30, 2015

Sharknado 3 Oh Hell No Review

There’s nothing quite like the overblown media coverage of Sharknado. I finally sat down to watch the third installment, and while I managed to like the other two in the series, this was definitely the weakest one. Then again, I think that’s the point. How can we go insane with the plot and the whole concept of Sharknado? Well, we can make fun of it all and even leave it all with a cliffhanger too. Overall, this is one hell of a movie, but not in a good way, as there are some serious points of contention.

First and foremost, the acting has completely taken a backseat. I know, the other ones haven’t been great either, but there is a special kind of terrible that is sewn throughout this movie. So much that I had a hard time enjoying it, as everyone just phoned it in. If that’s not bad enough, the effects and the deaths are all even worse than ever. Then again, the cameos were kind of cool. I can’t deny that it was cool to see so many celebrities get involved. My favorite of course was none other than Chris Jericho.

Ok, so the acting is bad, so what? Well, the movie is plotted really slow. Slower than the other ones at times, but right when I thought I was going to give up on it, I decided to give it another shot. Simply put, the movie is just boring. I was bored by the time The Hoff showed up. Now that was ok, I liked the notion of going into space to send off missiles, but leaving The Hoff on the moon? (I Kid You Not)

Perhaps the biggest hit to my intelligence was the baseball bat that was Tara Reid giving birth to a baby in the belly of a shark. It was enough for me to walk out of my own living room. Then the cliffhanger, does she live or die? Oh and there will be a Sharknado 4! Come on! Come on! This is just bad. I don’t have fun with these any more. I give up. I’m just done. Instead of investing in the terrible movie that this was, take a moment to reflect on anything better. Ugh, this Halloween season is ruined by another lame movie.

Then again, maybe I’m looking for diamonds in sacks of poop. I know, I’m wrong. I just can’t watch anymore Sharknado movies. I can’t. Yet, I will probably see the fourth one when it comes out. I’m a sucker. Enjoy Halloween tomorrow, I’m going back to watching horror movies and trying to keep this site from dying a slower death than it already has.

Wednesday, October 28, 2015

Carrie (1976) Review

Carrie is one of those movies that people claim is a classic. Recently, I purchased it on Blu Ray, and wanted to watch it again. The previous time I saw it was when I was a teenager. I picked this up and watched it with fresh eyes, and realized that there are some very interesting ideas pushed forward. Brian De Palma directs this movie, and while it definitely does well to introduce the world of Stephen King to the masses, it doesn’t hold up the way I thought it would. De Palma’s direction is on point, but other than that, I found myself reconsidering some of the ideas pushed in the movie.

There is no real reason why people hate Carrie. Maybe in the book they explore it a bit more, but in the movie, things are just no good for 17-year old Carrie. People seem to hate her, her mother is bad, and she is just trying to navigate high school like anyone else. It’s very odd to me, but you get through the movie with the set up that no one likes her.

Sissy Spacek is a lovely girl, but when watching the opening for this movie, I found De Palma over sexualizing things. The camera goes through like a porno movie from that era. If you have seen any adult cinema from the 1970s you immediately get notes from the many movies that were of the era. What I didn’t like here is that the viewer is looking into a teenage locker room, with full nudity. You’re supposed to be seeing underage girls naked? I found the notion a bit odd. Yes, it’s a movie, and all the actresses are over 18, but they are playing underage, it’s a bit unnerving.

Aside from the sexual tones of the movie, there is a quality revenge coming through. Just when you start to like Carrie, she breaks because of the swerve that happens to her. The blood, her telekinetic powers, and the ultra-revenge comes through. Not as bad as “They Call Her One Eye”, but nothing can be so graphic. Carrie gets her revenge, the movie goes into disaster, her mom gets it too, and then it just ends. I didn’t like the sudden ending and nothing else.

Overall, the movie is stated to be a Stephen King classic. Carrie from 1976 isn’t half bad. I don’t think it’s as amazing as some people say. I don’t think it’s as grand, but Spacek’s acting, and the over sexual tones make this a nice glimpse of the 1970s and how many changes have come to movie making. De Palma’s work is good here, even though it’s far from his best movie. If you’re going to pick this one up, get the Carrie Limited Edition Blu Ray, otherwise, meh, I can go without seeing it again for a long time.

Pick up Carrie on Blu Ray Here, for fans of Stephen King and classic 1970s cinema. 

Monday, October 26, 2015

Things I'm Tired of Seeing in Horror Movies

Maddox x Mission came out with quite possibly the best video I've seen from him in a long time. What he pushes here is what I've been saying for a long time. Yes, I love horror, but come on, sometimes it's just too much stupidity. Ok, here's Maddox, I'm Sir Jorge, I have to fold laundry.

Friday, October 23, 2015

American Horror Story Freak Show Made Me Tear Up A Little

I hate the term binge watching, but I did it recently. I once again fell for the Netflix plan. I picked it up and it was fine, but I don’t love Netflix. That’s for another day. I did manage to have it in time to see all of American Horror story Freak Show. I won’t go into a lot of details or try to review every single episode. Instead, I’m going to talk about 5 major points that I liked and possibly didn’t like about it. It’s not a perfect showcase, and it’s not my favorite of the series. My favorite so far was “Coven”, but this time around there were a lot of elements to like about it. I would even go as far as to say that I wouldn’t mind getting it on blu ray, and that’s very rare for me. I don’t buy a lot of blu ray, but I do admire those that have good collections. I’m just not a collector any more, at least not like I once was.

The Characters

The characters involved with “Freak Show” are amazing. I loved them all in their own unique ways. I even loved Jessica Lange. I loved her portrayal, and the compassion that she had at times for her “freaks”. I thought Sarah Paulson was absolutely amazing too. Every character and actor that was in this show was grand, and I loved every little nuance about it. The characters had charm, they had a sense of belonging, and just held a lot of great elements overall. I liked the way each one was portrayed, and each one had something to love about them.

The Costume and Lighting

The visual design flow of “American Horror Story Freak Show” is bar none some of my favorite design ever. The design flow that was done here was fabulous. From the lighting changes, to the fish eye lens changes, the colors used, and the prominent changeover of lighting and set pieces. I loved the costumes, I thought each puzzle piece fit the theme very well and that’s something that I don’t usually pay attention to.

The Overall Horror Themes

There are some stark themes here. The homosexual “Strong Man” story really hit hard. The “lobster boy” connection was heavy handed too. I loved the killer clown concept, and I love the throwback to “Houdini” at one point. The overall horror themes here run all over the place. They pick up on all sorts of fears, and just when you think you’ve got it all figured out, the ending wraps up the insanity of the show. I loved it. I loved the pieces and the continual storytelling.

Neil Patrick Harris

There was a lot of hype about this. I read a lot about Neil Patrick Harris jumping into the show. I didn’t see it air, but when he showed up for 2 episodes, holy crap. This guy can really act, and the creep factor that was involved with his character rose to all new levels. I loved the sensuality of the story he was in, and the overall colors, themes, and psychosis involved is absolutely brilliant. That made the show for me, and they certainly chose a great point to throw him into, in my opinion.

The Tipping Point (Crying)

Few shows get me. Few movies get me. However, when the ending started to showcase the true nature of the larger story line, I teared up a lot. I teared up with the connections to the “Asylum”, and I teared up when the “Freaks” were treated as disposable figures. I couldn’t help it. Maybe I’m a freak? I don’t know. It was heavy handed. But the revenge angle and the finale was great in my view, and I liked how it was all wrapped up. I also loved the musical cues from Lana Del Rey to David Bowie, the sound design was absolutely great in the series.

“American Horror Story Freak Show” is perhaps the best of the series. I am now watching “Hotel” and I am not as fascinated. I don’t care about vampirism. I don’t care about Lady Gaga, and I sure as hell do not care about Los Angeles. I highly recommend “Freak Show” however. I can’t wait to dive into the Blu Ray and see it again.

If you're going to pick up "American Horror Story: Freak Show" do so HERE. 

Monday, October 12, 2015

The Walking Dead Is Boring As All Hell

800 plus posts on this blog and I finally am hitting the wall of boredom. The Walk Dead had me thrilled for a few seasons. I even went to viewing parties at a local bar when I lived in Westchester, California. But yesterday, I was watching the season premiere of Season 6 and I realized that the last few seasons have been the most boring television I’ve watched in a long time.

I know boredom. I was bored out of my mind for 2 years while living in Moscow, Idaho. The Walking Dead, for the premise, is a great idea at first glance. But as we go through the episodes, the dynamic of horror and drama has started to lend itself to a stale piece of bread that really just doesn’t hold my attention. I sat through the majority of the episode and just wondered, “why”?

Why do I even care about the characters at this point?

When looking back at horror cinema, you get wrapped up in the story, the plot devices, and the characters. This show now gets me feeling as though I’m watching a soap opera. Some of the ideas, and the dialogue is non sense. Some of the actions are absolutely dumb. Plus the logic has been thrown out the window, to the point where I can’t shut my brain off.

Yes. I’ve shut down my brain many times to watch horror movies, but there are some tropes that I just can’t get away from. Specifically, the fact that there are zombies that are still alive and trying to find people to eat despite being herded like cattle. The notion of them being alive without starving, or a perpetual system of “zombie” behavior is just stupid to me.

Ok, I know, it’s just a show. Yes, but at this point the drama is like a deflated balloon. The story is the same. “Survival”, and what not. Yeah, well I don’t care any longer. Rick is going crazy, ok. The rest of the crew are helping him to survive and get to status quo, or safety, and what next? A villain rises, they fight back, they win, but not without death. Yeah, yeah, predictable tripe.

I’m tired of The Walking Dead. I’m tired of zombies for that matter. I don’t buy into the hype of The Walking Dead at this point. I throw in the towel. There’s just too much boredom on television for me to invest in yet another dumb season. In fact, I think I’m getting burned out on television as a whole. It’s a miserable existence.

I’d rather just not watch any more screens. Is that too much to ask? I’m sure I’ll have another 2 cents to throw on here in the near future, but for now, The Walking Dead is boring. I have no desire to watch it or to go along with the ridiculous premise that is being stretched extremely thin at this point. Don’t get me wrong, I don’t always look for logic, but some things just don’t make sense at all.

Thursday, October 1, 2015

Unfriended Review

Every few years an innovative horror movie comes out. I thought that Unfriended had some clever marketing and it seemed to be different at first glance. However, as I started to watch the movie, I realized that it was a cheap parlor trick. Though there are some great elements of fear, it doesn’t seem like the type of narrative that deserves so much praise, albeit, there are some moments that had me second guessing.

The movie is simple enough, a girl’s suicide as a result of bullying comes back to haunt a group of friends. The friends all start out by chatting via Skype, and then slowly get killed off by a stranger. At first, I thought it was a real person. My wife said it was a ghost. I was holding on until the end hoping that the reveal was in fact a real person, and not just a ghost, but you take what you can get sometimes.

The movie is told through the screens of chat and Skype and nothing else. Everything is a matter of noise and talking, interaction, pixelation and more. There are red herrings thrown at you, there are moments of deviance, but overall it’s all a winding and narrow movie with a ghost element thrown in for good measure. It’s a short movie that really shouldn’t garner a sequel, but it is getting one.

Overall, Unfriended is my least new horror movie to come out in some time, but that’s not saying a lot. It’s got some cheap thrills here and there, and if you can keep track of all the typing and random elements, you’ll find that this is a movie that will be thought of as creative, but missing that horror element. I think the cinema element is missing. How this made it to the big screen is beyond me. I’d rather have narrative over just watching others chat and what not. That’s my two cents.

Looking for grindhouse, horror, or sci-fi films? Please check out our amazon astore featuring all things horror. Don't trust astore? Check out, surprisingly they have more grindhouse,horror,and rare sci-fi than you may not have thought possible.

Sunday, September 20, 2015

Elysium Review

I am pretty jaded about a lot of things. However, this weekend I was able to sit down and watch Elysium on blu ray. I’m one of the few that still rents movies from Netflix, and this was definitely one of the options I have been waiting to see for some time. I didn’t know anything about the movie going in, other than it was a science fiction movie and that Matt Damon was in it. That’s all I knew about it.

The story as it goes is a compelling one. The visual design flow of the movie is absolutely fantastic. There’s a lot going for this movie in terms of looks. I love the views. I love the presentation of a dystopian Los Angeles in contrast to the Elysium luxury living element. I loved the clarity of the presentation, and I didn’t get lost in anything.

The movie flows through a major theme of poverty, immigration, and the future. I felt compelled by the story because I am a naturalized American. I was born in Mexico and came to this country for a better life, and in the movie it’s represented in a fashion that is closely held to my heart. It showcases a struggle, and it showcases reality in ways that great media does.

Aside from the themes, we get a good performance from Matt Damon. I loved his working class job, his heroics in hopes of helping himself not only live, but his first love’s child live. I love the juxtaposition created with the rogue agent as well, and the political elements involved were grand too. Overall, the movie had a lot to offer in terms of story, visuals, and continuity.

This movie made a lot more sense in terms of fighting and themes than “The Dark Knight”. I loved the way things moved forward in this and the social class, justice system, and science fiction elements all work like a very good novel. I knew the story before I saw it happen on screen as there’s some predictable moments here. However, I found myself completely enthralled with the movie as a whole. There are so many great elements here, and the end result, is a hero’s tale that is absolute, it’s perfect. I loved it.

Elysium is the best movie I’ve seen in a long time. Thematically it’s brilliant. The acting is good. There is a lot here, especially in terms of fighting, political exploitation, and so much more. There’s layers to this. I don’t know, maybe I just connected with the notion of immigration and health care. Maybe it’s not that great, but I know one thing’s for sure, this is a heady and serious movie if you let it be. Otherwise, it’s an entertaining science fiction movie with lots of tropes you already know, but with a passion for something greater. I loved it. I highly recommend this one. Visually complex, great narrative, and heavy handed at times, I think it’s the best in a long time.

Pick up Elysium on BLU RAY here, It’s a great science fiction picture.

Monday, August 31, 2015


We lost a great mind, Wes Craven.


There's no posts or news I will post for a while.

Go watch some of his movies.

Respect remains.

Thursday, August 27, 2015

8 Old School Chillers – Classic Horror Movie Line Up

One of the tropes of horror is the classical monster. The frights that come out of nowhere to shock us as children and young adults. I discovered horror at a young age, and many people I’ve spoken to have as well. That’s why this list was definitely on my mind for some time. This is a list of 8 old school chillers. These are classics, they go way back and they still have a sense of horror, even if you are used to the shaky cam footage movies that proliferate horror today. These are shockers, and still work well for new comers and older fans alike. If you find any of these movies appealing, pick them up via Amazon or the links I provide, thank you.

Island of Lost Souls (1932)

We start our list going way back. This is a movie adaptation of “The Island of Dr. Moreau”, but it has its own charm about it. It’s a classic science fiction movie in which an island is used to experiment on human beings. This one stars Leila Hyams, Bela Lugosi, and others. It’s a classic affair that features exactly what you’d expect from an older horror flick, but it’s the actors that make this one come alive. Lugosi here is great, even if you can only see him as Dracula in your mind.

Stranger on the Third Floor (1940)

Film noir doesn’t get nearly as much credit as it should. You should definitely take a look at how horror and noir mix into a very interesting format. In this one, you are treated to a story of mystery. Who is the stranger on the third floor? A reporter wants to know, and he’s got to deal with a variety of issues before he can figure out the puzzle. Peter Lorre stars, and definitely creeps you out in this haunting portrait of classic cinema.

Nosferatu (1922)

A true adaptation of the original vampire novel, this is a silent picture that is creepy as all hell. It uses a lot of light, shadow, and music to invoke the beauty of the novel from Bram Stoker. It’s a classic that some find boring, since it’s not updated or highly technical. It’s a silent move that is absolutely a thrill to watch, and if you grew up with this before you read the novel or you saw the many vampire movies that came out after, you still get a little nervous tingle when you see the vampire.

The Cabinet of Dr. Caligari (1920)

This is another classic, and if you haven’t seen it, you really need to look at how it’s set up. The cinematic elements here are hands down some of the best. Robert Wiene does a brilliant job of making an expressionist horror film here. It’s got a lot of artistic elements and pushes the notions of horror cinema in such a unique fashion. It’s hard to really paint the proper picture here, but it’s definitely one of the best uses of light, shadow, and mystery in the silent film era.

Repulsion (1965)

Love him or hate him, Roman Polanski has a knack for creating atmosphere and horror through his movies. While this one is not quite like “Rosemary’s Baby”, it has some of the same signature moods and styles that Polanski is known for. Release in 1965, this is a move that really gets creepy as the plot focuses on memory, and trauma. The creep factor is turned up through the loneliness of apartment living, lighting, shadow, which really create a serious art piece here. If you haven’t seen this one in the “apartment trilogy”, you need to check it out. It went to be nominated for BAFTA Award.

The Red House (1947)

George Agnew Chamberlain published a novel of the same name a few years earlier, and it transformed into this classic. It’s labeled as a psychological thriller, but it’s definitely a straight laced horror movie if you look at it from today’s standards. Edward G. Robinson and Judith Anderson star in this one, as they portray characters that find terror in an abandoned home. What secrets are found in the house? Why is there screaming? Is murder afoot? You’ll have to check this one out to find out.

Cape Fear (1962)

Robert Mitchum and Gregory Peck make this movie come to life. Sure, Scorses remade it, but this is the real version you should be watching. This is a strong contender for the best book adaptation. James R. Webb’s novel gets transformed into a scary movie about a stalker. This movie is a tightening wire around the neck, and it really pulls you in with great acting, clever cinematography, and a performance from Mitchum that is well worth praise. If you haven’t seen this one, you owe it to yourself to check it out.

Psycho (1960)

Do I really need to explain this one? This is perhaps one of the best ever. The slasher genre owes everything to the way that this movie discard the main character within the first 20 minutes. Marion Crane stars up front, but it’s Anthony Perkins that makes this movie an insane one. It’s tightened well by Hitchcock, and it is one of the best horror movies ever made. It’s slow moving at first glance, and then, it shocks through sight, sound, and clever editing. It’s a classic, and it certainly lives up to the hype.

You can pick up these movies via Amazon if you’d like, click here, otherwise, find them, rent them, enjoy them!

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