Leviathan Review

 "Leviathan," a 1989 science fiction horror film directed by George P. Cosmatos, nestles into the depths of underwater terror alongside other genre fixtures of the era. While it might not achieve the cult status of its peers, such as "The Abyss" or "Alien," "Leviathan" offers a unique concoction of suspense, horror, and the claustrophobic fear of being trapped underwater with an unknown entity.

The film stars Peter Weller, Richard Crenna, Amanda Pays, and Ernie Hudson, among others, as a crew working on an underwater mining facility. The ensemble cast delivers performances that oscillate between serious drama and the occasionally campy tone that characterizes many late 80s horror films. Weller, as the stoic leader, grounds the narrative, providing a central pivot around which the chaos and horror unfold.

"Leviathan" delves into the familiar theme of human greed and the relentless pursuit of progress, regardless of the ethical or environmental cost. The crew discovers a sunken Soviet vessel, the Leviathan, and retrieves a safe containing documents and a flask of vodka. The decision to consume the vodka leads to a horrific transformation in one of the crew members, kickstarting a series of events that escalate into a fight for survival against a mutating creature.

The creature's design, a combination of practical effects and limited CGI, reflects the era's limitations and ingenuity. While it may not hold up against the high-definition monsters of contemporary cinema, there's a tactile realism to the creature that CGI often struggles to replicate. The design borrows elements from both aquatic life and human anatomy, creating a grotesque amalgamation that is both alien and disturbingly familiar. This visual choice amplifies the horror of the creature, making it a tangible manifestation of the crew's fears and the consequences of their intrusion into the depths.

George P. Cosmatos directs "Leviathan" with a keen eye for tension and atmosphere. The claustrophobic environment of the underwater facility and the omnipresent danger of the deep sea serve as a backdrop to the unfolding horror, making the setting itself a character. The director uses shadows and confined spaces to great effect, building suspense and a sense of impending doom. However, the film occasionally succumbs to genre clichés, with some characters making predictably poor decisions that serve the plot but detract from the realism of their predicament.

The screenplay, penned by David Webb Peoples and Jeb Stuart, weaves themes of corporate negligence and the expendability of workers in pursuit of profit. The mining corporation's indifference to the crew's plight and their decision to abandon them reflects broader societal concerns about the dehumanization of workers and the moral vacuity of corporate entities. This theme resonates with contemporary audiences, making "Leviathan" more than just a creature feature; it's a critique of capitalism's darker facets.

One of the film's strengths is its score, composed by Jerry Goldsmith. The music enhances the atmosphere, adding layers of tension and emotional depth to the narrative. Goldsmith's use of synthesizers alongside traditional orchestration creates a sound that is both of its time and timeless, underlining the film's suspenseful moments and the isolation of the underwater setting.

"Leviathan" is not without its flaws. The pacing can feel uneven, with some stretches of the film lingering on character interactions at the expense of advancing the plot. Additionally, the final act feels rushed, with a resolution that seems both convenient and underdeveloped. These shortcomings, however, do not entirely detract from the film's ability to entertain and horrify.

In retrospect, "Leviathan" can be seen as a product of its time, reflecting the late 80s fascination with underwater exploration and the unknown depths of the ocean. It captures the zeitgeist of an era that stood on the precipice of the digital revolution, clinging to the practical effects and storytelling techniques that defined a generation of horror films.

Comparatively, "Leviathan" may not stand shoulder to shoulder with the giants of its genre, but it offers a compelling narrative, memorable performances, and a glimpse into the fears and hopes of its time. For fans of sci-fi horror, it remains a worthy dive into the depths of underwater terror, a reminder of the genre's capacity to explore the unknown and reflect the anxieties of the human condition.

In conclusion, "Leviathan" is a testament to the enduring appeal of sci-fi horror. It combines the fear of the unknown with the terror of man-made horrors, encapsulating a moment in cinema where the depths of the ocean were the final frontier. While it may not redefine the genre, it remains a noteworthy entry, a piece of cinematic history that continues to entertain and provoke thought about the cost of human ambition and the mysteries that lie beneath the waves.

Thanksgiving Review

Thanksgiving: A Middle-of-the-Road Feast for Horror Enthusiasts

In the realm of horror, few films manage to serve a dish that's both familiar and surprisingly fresh. Thanksgiving attempts just that, situating itself comfortably within the genre while trying to carve out its own niche. This review promises a casual and entertaining stroll through the film's highs and lows, catering specifically to the pallet of horror aficionados.

Plot at a Glance

Thanksgiving unfolds in a typical small town where the holiday spirit is as thick as the November fog. But this year, the town's tranquil veneer cracks when a series of bizarre incidents begin to spoil the festive mood. As the townsfolk's Thanksgiving preparations turn into a fight for survival, the movie cleverly uses tension and suspense to keep the viewers on the edge of their seats. While the narrative occasionally trots down the well-worn paths of the genre, it's the unexpected twists that keep the feast interesting.

The Meat of the Matter

For horror movie enthusiasts seeking the next film to add to their 'best horror movies' list, Thanksgiving offers a mixed bag. The cinematography adeptly captures the eerie atmosphere of a town caught between tradition and terror. Performances are robust, with characters that, while archetypal, provide a solid foundation for the unfolding horror. However, it's the special effects where Thanksgiving truly shines, skillfully blending practical effects with CGI to create a visceral horror experience that's as unsettling as it is visually captivating.

A Slice of Critique

While Thanksgiving succeeds in many aspects, it's not without its shortcomings. The pacing, brisk in some sections, feels sluggish in others, making the film's narrative flow feel slightly disjointed. Character development, although adequate, misses some opportunities to deepen the emotional impact of the story. Nonetheless, for fans scouring through horror movies free of pretense and filled with genuine genre love, these are minor quibbles in an otherwise enjoyable watch.

Final Thoughts and Rating

Thanksgiving is a film that, much like the holiday itself, offers comfort in the familiar while sprinkling in enough novelty to keep things interesting. It's a solid addition to any horror fan's collection but doesn't quite reach the pinnacle of the genre. This cinematic dish earns a hearty 3 out of 5, making it a worthy watch for those who enjoy their horror with a side of dark humor and traditional scares.

Craving more after the feast? Grab your copy of Thanksgiving on Blu-ray for the ultimate horror experience, complete with bone-chilling bonus features that are sure to keep the holiday spirit (and scares) alive in your collection!

Open Graves Review

I don’t usually take so long between posts, but I have been without a computer for a while. I recently purchased a new option, and have some time on my hands. With that in mind, I decided to jump into the pantheon of horror again and start reviewing. Today, we go back to 2009 and we look at the movie “Open Graves”. This is a horror movie that fell under the radar for me, and only recently have I circled back to check it out. It’s a movie that I had no idea existed, then boom, it comes to streaming and I decide to check it out.

The opening is a little fast, and you are taken to medieval times where someone is being tortured. Their skin and organs are made into a game, a board game that is given a curse, that will be the crux of what the movie is about overall. The movie then moves to modern times, showing a great deal of surfing to begin. Surf fans will like this, but I’m not sure why the movie spent so much time with surfing, as it doesn’t need to be there as much as it is, so I guess it’s fine.

After we get to present day, we meet up with a group of friends that are on vacation and are tourists in a new town. One member finds a weird store that has oddities, and once he goes in he is given a game by a man in a wheelchair. The game, however, is not what it seems, and much like you saw in “Jumanji’, something sinister is afoot. You see, the game is simple enough, if you win you get a wish, but if you lose, you will die in the manner that the game states.

The friends begin to play and they progress, only to have some lose. As people lose, they start to leave the house for various reasons. When they leave their house, however, they end up dealing with sinister issues. They end up dying as the game foretells, and the movie shifts gears to where our main character Jason, has to keep playing and hope that he can win to get a wish to bring back his friends.

“Open Graves” stars Eliza Dushku, and Mike Vogel, and it’s 100 minutes long. It isn’t too bad, it speeds through, and then really kicks into full gear when our main hero decides to fight back and try to win the game. The movie was filmed on a low budget, and it somehow overcomes that. Mix “Final Destination” and “Jumanji”, and you get a feeling for what “Open Graves” is all about.

Not all is good with the movie, mind you There is bad CGI, there are some grotesque moments, and overall its comedic to see how things work out. I didn’t hate the movie, but it definitely has some holes in the presentation. Overall, however, “Open Graves” delivers on the premise, without hand holding, and it’s a strong movie to watch. I liked it. Check it out streaming today.

Men Review

Going into the movie “Men”, I knew nothing about it. I avoided all spoilers, and reviews of the movie, and just didn’t really focus on it too much. Then a friend told me it was scary and good, and so it was time to check out the movie that I had missed, or really just didn’t see myself watching. “Men” is not your typical slasher, or horror movie at all. In fact, it goes beyond that at times, and really sets you up hardcore for something you didn’t expect, but it’s not a Twilight Zone twist. In fact, I won’t go further into that line of thinking to avoid spoiling it for anyone, even though it appears that I’ve spoiled it for some already.

A young woman decides to grieve the death of her husband by going to a small village and staying in a large mansion. She is decompressing, and just wants to explore a little solitude amidst nature etc. This seems fair enough, but then we are treated to PTSD flashbacks of what happened, and through the story’s unraveling we get more of the backstory of what happened to the husband, and the sinister elements that could be behind it. The story is slow to unravel, and that will turn some people off. In fact, I was almost going to call it quits, as the movie took a serious time to develop any character.

After sticking with “Men” for some time, the movie picked up, and started to derail what you thought it would be. There’s a lot of metaphor to it, and things really get lost in translation when the third and fourth act usher in the climax of the movie. There are moments that are meant to illustrate pain and agony, rebirth, and more, and it’s done in an artistic way. So much so, that you forget that you’re watching a horror movie. The movie doesn’t flinch, or slide back, it continues to press buttons through the end, and leaves you with a relieved feeling, as our protagonist has gone through hell to get a semblance of peace.

“Men” is a slow burning horror movie. There are elements of science fiction, and at one point I thought it was similar to the intensity of “The Brood”, which is a classic. If you stick with the character build up, and don’t give up on the movie, you are treated to quite the stunner, and one worth checking out. It’s a tightly wound thrilling horror movie, but again, it is slow. I recommend it, that’s for sure, but I don’t think everyone will enjoy this one, as it really pushes you.

Terrifier Review

Often times movies are slow moving engagements. That is true for modern horror, and a lot of the time I’m flabbergasted by what audiences will sit through to get a little thrill. When I saw the poster for this film, I wasn’t expecting a lot. I figured it would be a slasher, and well we all know that the mother of killer clown movies either comes from outer space or “IT”, but this was different, it felt different, and it started off innocent enough, and just derailed fast.

The premise is simple enough, a killer clown is hunting down individuals, and no matter what they do, he keeps coming back. A slasher of 1980s lore is what you get here, and not much else to really explain. Sure, there are moments where the story takes you to care about the characters slightly, as they have some peril outside of the killer clown, but it’s short lived. This is a straight forward slasher and it is fast moving. There is not a lot of room for filler in this one, and that’s something that I appreciated about it. It's a movie that knows what the audience wants, and knocks you in the teeth within the first act.

The expected horror movie tropes live in with this one, including the final girl, albeit not without putting up one hell of a fight. You get the unstoppable villain, and you’re drenched in gore and blood as well. There’s nothing too complex about the movie, and it really draws you in with a powerful performance from David Howard Thornton as Art The Clown.

Terrifier isn’t brain candy, but it is a good slasher with an easy premise, and something that will have you thrilled and shocked at times. This is horror sliced up the way you expect from the 1980s and 1990s to boot, not “modern” day slow moving genre art. That’s just my two cents, you should pick up the blu ray
and make up  your mind on it, but I recommend it, so there’s that.

X Review

I wanted to see the movie “X” for quite some time. I first heard it was going to be in theaters, and for whatever reason I just never got around to seeing it. I then waited for it to be available for streaming, and finally got it, so that I can see the overall hyped up movie. The movie had a simple premise, and it followed through with it quite well, leaving nothing to the imagination, and it’s an interesting ride, albeit not one that I may want to revisit soon.

The movie is simple enough, a group of people set out to make an adult film on a farm that they rented and turned into a makeshift studio. They follow the protocols that you would expect, only they end up being thwarted by an elderly couple that is seriously creepy. The old couple find out what is going on and they don’t want that to occur, so instead of stopping production the old fashioned way, they do so with blood and guts.

Overall, the movie is shot well, it has decent cinematography and the acting isn’t horrendous. I found myself enjoying the movie for the most part, and there were definitely sequences that gave it a good measure of success in the scares department. There’s some limited gore too, and that’s definitely something to look out for with horror movies, and the likes.

The pacing was solid in this movie, leaving no dead air or boring spots, as the movie progresses. It does have a few jump scares, but it doesn’t rely heavily on those, and that’s something that I can appreciate overall. There’s a sense of homage to the film overall and you really do get this sort of feeling that the filmmakers are playing up to a smart audience. With that in mind, you don’t really get too deep with the characters, and they are taken out one by one.

“X” surprised me in a way. I thought it was going to be a bit more blatant in horror, and for some reason I just couldn’t get myself to want to watch it over again. It’s adequate, it has some gusto, and it definitely provides a good sense of dread, with great special effects that are modern and classic at the same time. I’d recommend seeing “X” for sure, but owning it, I don’t know, I’m on the fence about it still. 

House of Wax Review

For today’s horror movie, we are going back to 1953. A remake, but something that has been heralded as a classic by many people. Fans of Vincent Price are immediately going to perk up, because today we are going to be looking at “House of Wax”. The first ever 3D movie to come through in color, and something that has to be considered with the way the movie plays out. You’re going to notice the call outs to 3D in some of the film, and while I don’t have a 3D television or anything, it’s still somewhat noticeable. 

The plot of the film starts out fast, with a wax artist that learns his business partner plots to burn down the place to collect insurance money. As that goes down, the two fight, and things go horribly awry, with an explosive end to this plot starting line. Following that up, there are bodies disappearing from the morgue, and they start popping up in a new wax gallery, alongside a phantom looking dude stalking victims to murder and stock his new wax museum. This leads to quite the reveal in the third act, and of course a final confrontation as is the case for horror movies in general. 

The movie shows its age with a lack of gore, and a lack of horror elements that you get with modern movies. That is not to say that it’s bad, but you really have to set yourself up for something a bit more mild than you would today. That’s not to say that there aren’t horror themes in “House of Wax”,  but it definitely feels aged. To enjoy this movie, you have to set yourself up for the past, and set your expectations back some. If you approach this movie with the same kind of expectations that you would a modern horror movie, you’re going to be disappointed with the pacing, the features and the reveals that the movie has for you. 

While “House of Wax” has a good share of story telling, it definitely feels a bit slow at times. I didn’t like the pacing, but by the time I was getting tired of build, there would be a shocker, or a poignant effect to break up the slow and steady pacing. The final reveals are good, and you really get some shocking revelations with the course of the movie, even if they are predictable to modern audiences. Vincent Price shines in this movie, and definitely makes it a strong contender for a horror movie of the past. 

“House of Wax” shows its age in a lot of regards. However, you’re going to find that there are moments that are often used in modern movies too. The 3D is dated, but it’s cool to see a bit of history on the screen, and it’s definitely not a bad movie. In fact, I recommend it, horror buffs are going to want to see their roots, and Vincent Price is a classical actor in the horror genre and things of the macabre. 

Silent Night Deadly Night 5: The Toy Maker Review

In 2009, I reviewed the original four Silent Night, Deadly Night movies. I did not review the fifth one, however, and it wasn’t until today that I was able to sit down and review it. I saw it last night. “Silent Night Deadly Night 5: The Toy Maker” came out in 1991 and stars Mickey Rooney, of all people, and the poster art is kind of cool. The series at this point was a joke, and this movie doesn’t necessarily follow along with the rest of the movies, with the sole exception of a somewhat killer Santa at one point, but it’s short lived. 

The plot of the movie is a bit all over the place. We are introduced to Joe Petto (get it, eh, eh), and his son Pino (again, get it, eh, eh), and they are toy sellers. These will be the villains, but not at first, at first we get a kill with a crazy toy orb that suffocates the father of our lead kid. The kid says very little for the rest of the movie after that. In that regard, this pays homage to the first movie since there’s a death sequence in the first act. The movie goes along with Pino breaking into the home of the kid, setting up booby-trapped toys, and then moving along to worse. That’s the simplest way I can explain this plot, but even then, there’s so much in between that doesn’t push the plot forward, including a near pornographic sex scene with a babysitter. 

The pacing of this movie is horrible. I had to pause the film at one point because it seemed to be epicly long, but it was only 50 minutes in. Suffice to say that 50 minutes into this one, you’re not going to miss much, with the sole exception of introduction to characters. There’s a lot of downtime to set up the third act, and then the final act. 

Things go off the rails in “Silent Night Deadly Night 5: The Toy Maker” when Pino is discovered to have a secret, and changes the course of the movie completely. I won’t give away the twist, but that’s enough to spoil this movie I’m sure. It’s almost as though the writers threw their hands up and just went with a science fiction nod, more than a horror one, and well there are some awkward moments. I cannot express how awkward it is to see Pino dry humping a lady and calling her mommy, or maybe that’s it, the expression. Whatever the case may be, the final act goes off the rails and you are treated to the best part of the entire movie, which isn’t saying a whole lot as this thing really is slow. 

“Silent Night Deadly Night 5: The Toy Maker” is not going to be one of those movies you go back to a lot. The first film in the series is a classic, the second one is laughable, and then things really go bad with the sequels. The posters aren’t half bad, the movie does stick with you for the ending, I will give it that much credit. However, other than a few jump scares, some creepy toys, and a moment of a killer Santa, this movie is awful. I only recommend it for those that are wanting to complete the series, collect the dvds, or just want something in the Christmas Horror genre.  

The Green Inferno Review

Eli Roth really put himself on the map with his first few films, and then hit a wall when “The Green Inferno” came out. I don’t know why, but I feel like he didn’t do as much afterwards, but maybe that’s because his movies were all profitable and he wanted to do other things. I’m not a journalist, so I’m not going to dive too much into that, but instead focus on the task at hand, reviewing “The Green Inferno”. I heard about it previously, but didn’t really want to watch it as I was battling depression and didn’t really want to watch any horror movies for a while. That explains the gap on this blog, by the way. 

“The Green Inferno” has a simple plot, a group of college students aim to save the rainforest and run into more than they could handle. Well, not initially. They initially win, and there’s something kind of endearing about it, as they lock themselves up to a tree, get the bad guys on film, and celebrate on a private plane out of the jungle.

Until the plane’s engine blows and they get trapped in the jungles of Peru. 

The gore in “Green Inferno” is turned up, and it's not just from the cannibal element. The villagers are cannibals, and you immediately see the throwback to “Cannibal Holocaust” and other movies that were meant to scare you and gross you out all the same. Despite the gore, the pacing of this movie is really done well, and you never feel like you’re dulled into the next plot point overall. 

A straightforward plot meets you, the group gets lost in the jungle only to be found by a cannibalistic tribe, and they have to try to escape, if they can. That’s the break down to the twists and turns, and though you don’t know the individuals or their back story, you start to root for them as the tension builds with the turns that come along. There’s a clear cut villain here, and it isn’t just the cannibals, there’s a good bit of character modeling and acting, making this more fruitful than your average gorefest. 

“The Green Inferno” plays on a lot of fears, and it does so with gusto. There are moments where you swear the movie can’t get any more graphic, and there are times where the movie gives you a sense of hope, only to pull the rug. It’s a rollercoaster at times, and yet it eases you into the ending. It is a cannibal movie, but it has some wit, sense, and overall pacing that makes it far better than what you may think. It’s too easy to say that this is just another cannibal movie, especially the way it is shot, and the transitional pieces that lead you to start to cheer for the final girl. I’m not going to be watching this movie a lot, but I would definitely show it to someone new, a horror fan, and those that are tired of run of the mill slashers. This is a pretty good showcase of horror for the modern age. 

Horror Noire Review

I love anthology horror movies. I’m a big fan of them, and always will be, but there are some that are better than others. Of course, there are classics like the “Twilight Zone Movie”, “Creepshow”, and others, and I thought for sure Shudder was going to bring to light another instant classic. I mean, the channel is one of the premier options for streaming horror movies today. With the release of “Horror Noire”, you get a bit of confusion up front. 

Search for the movie “Horror Noire”, and you get a lot of listings about the documentary of the same name. This review is not of the documentary, as it is a review of the movie “Horror Noire”, which is something that you should know going forward. If you’re confused, don’t worry, the poster above should tell you all you need to know about whether or not you’re reading a review on a documentary or not. 

There are six segments that are presented in the movie, and they each have a story to tell from the experience of Black America. That’s not to say that it is all political or current events, but rather it features voices from the Black Community. There is a blend of supernatural, creature feature, and xenophobia all rolled into one, and the pieces all fit together to showcase the unique horror elements that you would expect from shudder. The horror elements are done well, the supernatural especially done well, but there is a lack here and there of gore, and timing. 

Put away your jump scares, there’s not a lot to be found here, and there’s not a sufficient amount of gore to make you shutter. Instead, you get lengthy stories that really seem too long for their own good, with the exception of a few here and there. That being said, the main problem I had with “Horror Noire” is the running time of each one, and how it just kept lagging. Furthermore, I did not like the way they abruptly ended, which was also my problem with this years “American Horror Story” double feature. 

This is an underwhelming anthology. It is a good thought, it’s interesting on paper, but in the full run time, and constant slowdown of pacing, I found myself wondering what was next, because I certainly wasn’t drawn into the stories as much as I wished. “The Lake”, “Daddy”, and “Brand of Evil” are my favorite of the six that are out, and while it is definitely an interesting premise, it doesn’t hold weight throughout the more than 2 hours of feature film. 

“Horror Noire” isn’t going to win any awards, and while it is not a terrible anthology, it’s a bit slower than I’d liked it to be, and therefore doesn’t get my full recommendation. However, since it was made for streaming, it gets a higher review point than I would give other movies. I say you should check it out, just remember that it is a little slow, but still worth checking out. It reminds me a little of the blaxplotation era.

Halloween (2018) Review

Halloween (2018) Poster

I waited for this movie to settle in my guts, and well, I finally saw it.

I took my sister to see this movie in a nice theater in Culver City, California and what I found was a trope that was very much in tune with the original movie, although with a lot of elements that are just, normal, in many ways. This takes on the idea of a sequel to the original movie, and it’s a testament to how creative people are today at times, but it also feels like a safe entry into the movie world that features one, Michael Myers.

You get a lot of people coming back to the series in this movie, and the plot revolves around a break out from the insane asylum, as per usual, and Michael shows up to his old haunts to look for Laurie and her kid. We catch up with Laurie, her kid, and the revenge that is going to be waiting Myers, if he shows up, and he does.

To say that Halloween is “safe” is an understatement. Every nook and cranny of this movie is predictable. That doesn’t mean that it isn’t entertaining, but in the course of horror movie sequels and attempts to revive narratives, this does nothing for me. Sure, it has a lot of nostalgia with the way it’s filmed, with some of the slow moving, cut away death sequences, but it also throws some notes to all the rest of the world of Halloween, including Season of the Witch. It’s easy on the eyes, but in the third act, it starts to get a little boring, and by the time you get to the end, you realize that you’ve been swindled into seeing the same movie again, only updated a few decades.

This is a movie that features what you want, death, mayhem, and of course, a nod to the past, without changing the future. It’s a solid entry, and it works for what it is, but let’s not look at this with rose colored glasses, because it’s not that great. The performances are good, Jamie Lee Curtis is great, and the rest is good, but the story suffers from formulas that are nothing short of paint by numbers. I don’t recommend spending money on this one, but hey, it’s part of a larger framework, so I guess it works to a certain degree. I didn’t think it trumped the others, and I don’t think it’s the best horror movie I’ve seen this year, or any year for that matter.

I could definitely wait for Blu Ray on this one, it’s that underwhelming and overrated for me. This, of course, after reviewing more than 900 movies for this blog.

Mom and Dad Review

Mom and Dad (2018) Poster 

Have you ever wanted to see Nicolas Cage go full blown Nic Cage? Well, then for that reason alone you have to take some time out of your oh so busy schedule to check out the psuedo-horror film, "Mom and Dad", which takes on a whole new meaning to the ideas of zombies, and technology as a whole.

The start of this movie is safe enough, the average home, and then things start to get a little odd. Nic Cage starts to have a bit of a problem in his ear, and there's an audible issue that no one is really sure why. Then we are taken to an average high school where the teachers are finding out that there's a problem. The problem? Parents are starting to kill their children, and that they should not be left out.

Of course, that doesn't stop a couple of kids from escaping, but all hell breaks loose as parents break down the gates and doors and start attacking. This is like zombies, but we don't see anyone getting eaten, as much as they are getting killed. We see a few notes of the parents, their problems, and the way that life was with backdrops that are interesting, but overall this is a showcase of horror for Nic Cage and Selma Blair, whom are middle-aged and having marital problems, blaming it on their kids.

The movie is fast paced, without a lot of filler, focusing on the larger story, then going back and forth to fill in the gaps for why Nic Cage and his Wife are feeling a bit down about being parents and in their 40s. There are call backs to the past, but there's a frequent focus on the frenetic pace afterwards, with a lot of shaking of the camera, and fast running with a zombie like frenzy at times. If you like the Italian zombie movies, then you'll like the way this is treated, as the parents are in a frenzy to kill their kids.

Meanwhile, the kids get the upper hand, and there's a lot of push back, and it all leads to some pretty gruesome sequences, and some hard hits, with great stunt work. I'm surprised at the quality of the cinematography, considering this wasn't a big budget movie at all. In fact, I was so impressed, that I ended up surprised by the ending, which doesn't really bring about closure. However, there's some serious fight here.

"Mom and Dad" is a movie that takes a zombie type of premise, and then shoves in a revenge plot and much more. It's hardcore, yet it's somewhat tame in certain areas. It's Nic Cage going full Nic Cage, to a laughable level at times. It's a fast paced, good working movie, and something that I doubt you're going to hate, unless you hate Nic Cage. I loved it. I am highly recommending this one.

Hey, hey, if you want to get this movie on Blu Ray, make sure that you click HERE and pick it up.

Late Phases Review

If you have been following me along 800 plus reviews, then you know I love a good werewolf movie. I love the concept. I even gave an escort a copy of “Howling II” when I was in Las Vegas one year. She wanted to be a writer, and told her that she would benefit from writing about werewolves. It was a brief encounter, but last I checked she was in San Francisco writing for the Huffington Post. Good for you! As for this movie, it’s a different kind of werewolf movie. It is a drama that was directed by Adrian Garcia Bogliano. This was his first attempt at an English language movie and he knocked it out of the park if you ask me. Written by Eric Stolze, and starring Nick Mamici, Ethan Embry, and Lance Guest, this is a tightening screw of a horror film that pushes your emotional buttons until it breaks down your guard and eats your heart out. Like that? Good!

The plot is simple. A blind veteran moves to a small town. He wants to live on his own and doesn’t like a lot of people. One night a werewolf visits him and attacks, his dog goes down and he has to kill it. It’s a gut wrenching scene, especially since seeing eye dogs are masterful helpers and well this guy is now left without his best friend and guide. He thinks a werewolf is at play, and through the course of the movie you see him gearing up for a fight.


Pick Up Late Phases Blu Ray (click image)

Meanwhile the villain is turning all the individuals in the town into wolves, and things are going to rise up, creeping closer. As the body count starts to rise, our main hero, Ambrose, gets ready to take on werewolves, all the while blind, mind you. The ultimate battle takes on a very unique twist, with our hero’s disability taking center stage.

Late Phases has a lot of dramatic leads. It is a slow moving fire. I disagree with “Shock Till You Drop” completely. I do NOT think that they were going for a “Bubba Ho-Tep” vibe at all. That is ludicrous, and stupid to compare. This is not the same, it’s not a comedy in my opinion. Needless to say, this movie is far more dramatic than you may think. It has some serious soul, feeling, and then when you think it’s done, it unleashes the wolves.

Look, the wolves aren’t great. The costuming is lackluster, but the transition was good, and the overall meaning isn’t lost. The bites, the gore, and the horror that sets in is vibrant, with a lot to offer even the most jaded of horror fan. This is a well put together movie, regardless of what pundits said about it. It’s acted well enough, and it truly has a heart. I liked it. I liked the climax, and the overall visual tone of the movie. The “sheep’s” clothing metaphor works just as well here as it did in “Stephen King’s Silver Bullet”. I recommend this one, I liked it a lot, and think that “Late Phases” is worth checking out.

You can purchase “Late Phases” by clicking here, and reviewing it yourself, you know you want to.

Carrie (1976) Review

Carrie is one of those movies that people claim is a classic. Recently, I purchased it on Blu Ray, and wanted to watch it again. The previous time I saw it was when I was a teenager. I picked this up and watched it with fresh eyes, and realized that there are some very interesting ideas pushed forward. Brian De Palma directs this movie, and while it definitely does well to introduce the world of Stephen King to the masses, it doesn’t hold up the way I thought it would. De Palma’s direction is on point, but other than that, I found myself reconsidering some of the ideas pushed in the movie.

There is no real reason why people hate Carrie. Maybe in the book they explore it a bit more, but in the movie, things are just no good for 17-year old Carrie. People seem to hate her, her mother is bad, and she is just trying to navigate high school like anyone else. It’s very odd to me, but you get through the movie with the set up that no one likes her.

Sissy Spacek is a lovely girl, but when watching the opening for this movie, I found De Palma over sexualizing things. The camera goes through like a porno movie from that era. If you have seen any adult cinema from the 1970s you immediately get notes from the many movies that were of the era. What I didn’t like here is that the viewer is looking into a teenage locker room, with full nudity. You’re supposed to be seeing underage girls naked? I found the notion a bit odd. Yes, it’s a movie, and all the actresses are over 18, but they are playing underage, it’s a bit unnerving.

Aside from the sexual tones of the movie, there is a quality revenge coming through. Just when you start to like Carrie, she breaks because of the swerve that happens to her. The blood, her telekinetic powers, and the ultra-revenge comes through. Not as bad as “They Call Her One Eye”, but nothing can be so graphic. Carrie gets her revenge, the movie goes into disaster, her mom gets it too, and then it just ends. I didn’t like the sudden ending and nothing else.

Overall, the movie is stated to be a Stephen King classic. Carrie from 1976 isn’t half bad. I don’t think it’s as amazing as some people say. I don’t think it’s as grand, but Spacek’s acting, and the over sexual tones make this a nice glimpse of the 1970s and how many changes have come to movie making. De Palma’s work is good here, even though it’s far from his best movie. If you’re going to pick this one up, get the Carrie Limited Edition Blu Ray, otherwise, meh, I can go without seeing it again for a long time.

Pick up Carrie on Blu Ray Here, for fans of Stephen King and classic 1970s cinema.