Men Review

Going into the movie “Men”, I knew nothing about it. I avoided all spoilers, and reviews of the movie, and just didn’t really focus on it too much. Then a friend told me it was scary and good, and so it was time to check out the movie that I had missed, or really just didn’t see myself watching. “Men” is not your typical slasher, or horror movie at all. In fact, it goes beyond that at times, and really sets you up hardcore for something you didn’t expect, but it’s not a Twilight Zone twist. In fact, I won’t go further into that line of thinking to avoid spoiling it for anyone, even though it appears that I’ve spoiled it for some already.

A young woman decides to grieve the death of her husband by going to a small village and staying in a large mansion. She is decompressing, and just wants to explore a little solitude amidst nature etc. This seems fair enough, but then we are treated to PTSD flashbacks of what happened, and through the story’s unraveling we get more of the backstory of what happened to the husband, and the sinister elements that could be behind it. The story is slow to unravel, and that will turn some people off. In fact, I was almost going to call it quits, as the movie took a serious time to develop any character.

After sticking with “Men” for some time, the movie picked up, and started to derail what you thought it would be. There’s a lot of metaphor to it, and things really get lost in translation when the third and fourth act usher in the climax of the movie. There are moments that are meant to illustrate pain and agony, rebirth, and more, and it’s done in an artistic way. So much so, that you forget that you’re watching a horror movie. The movie doesn’t flinch, or slide back, it continues to press buttons through the end, and leaves you with a relieved feeling, as our protagonist has gone through hell to get a semblance of peace.

“Men” is a slow burning horror movie. There are elements of science fiction, and at one point I thought it was similar to the intensity of “The Brood”, which is a classic. If you stick with the character build up, and don’t give up on the movie, you are treated to quite the stunner, and one worth checking out. It’s a tightly wound thrilling horror movie, but again, it is slow. I recommend it, that’s for sure, but I don’t think everyone will enjoy this one, as it really pushes you.

Terrifier Review

Often times movies are slow moving engagements. That is true for modern horror, and a lot of the time I’m flabbergasted by what audiences will sit through to get a little thrill. When I saw the poster for this film, I wasn’t expecting a lot. I figured it would be a slasher, and well we all know that the mother of killer clown movies either comes from outer space or “IT”, but this was different, it felt different, and it started off innocent enough, and just derailed fast.

The premise is simple enough, a killer clown is hunting down individuals, and no matter what they do, he keeps coming back. A slasher of 1980s lore is what you get here, and not much else to really explain. Sure, there are moments where the story takes you to care about the characters slightly, as they have some peril outside of the killer clown, but it’s short lived. This is a straight forward slasher and it is fast moving. There is not a lot of room for filler in this one, and that’s something that I appreciated about it. It's a movie that knows what the audience wants, and knocks you in the teeth within the first act.

The expected horror movie tropes live in with this one, including the final girl, albeit not without putting up one hell of a fight. You get the unstoppable villain, and you’re drenched in gore and blood as well. There’s nothing too complex about the movie, and it really draws you in with a powerful performance from David Howard Thornton as Art The Clown.

Terrifier isn’t brain candy, but it is a good slasher with an easy premise, and something that will have you thrilled and shocked at times. This is horror sliced up the way you expect from the 1980s and 1990s to boot, not “modern” day slow moving genre art. That’s just my two cents, you should pick up the blu ray
and make up  your mind on it, but I recommend it, so there’s that.

Basket Case Review

The year was 1982 and a lot of horror movies were pushing the boundaries. The 1970s brought us some great stuff, and the 1980s would bring us a lot too. This time around, we take a look back at the cult classic, “Basket Case”. I reviewed “Basket Case 3” a long time ago, and I recently stepped back in time to watch the original, and well, it is as hardcore as I remember it.

The movie is simple enough, it is about conjoined twins, one of which has been cut off from their brother and now resides in a basket. You did not read that wrong. The brother is a deformed blob with sharp teeth and strong nails. The movie goes through the premise where the brothers seek revenge on the doctors that performed the surgery to separate the two. In the meanwhile our main character Duane Bradley goes to a hotel and stays there while he seeks out the doctors with his brother. Of course all hell breaks loose when the blob starts to get loose and attack.

The movie has a lot of gore in it. The killing scenes are all done with practical effects, and with camera cuts that are tastefully done, and give you just the right amount of scare. There’s even a nice contraption scene where someone gets sawed in half. The overall movie flows fast, it creates good atmosphere, and the gore and effects are pretty good. “Basket Case” definitely ramps things up towards the end and by the time we get to the final act, you’re either cheering for Duane or the blob. The two have it out at the end and we end up having a definitive end…or so we think.

There’s a lot of cool moments in this film, and it’s not scary, as much as it is gorey at times. There are two sequels to this one, but overall this is a classic cult horror movie with a good sense of pacing, and funny moments. It’s not meant to be played for laughs, but you can’t help but laugh at some of the moments, making this one an interesting romp for you to go back to if you haven’t in a while.

Nope Review

I was at Universal Studios the past week, and was able to tour a set of Nope for a short time. I had no idea what to expect from the movie, nor the set, and it was interesting to see overall. I was fortunate enough to see Nope in Imax, and it definitely was a spectacle. I would recommend seeing movies in Imax overall, the picture and sound is second to none and really immerses you in the movie overall.

Nope, I thought was going to be a horror movie. While there are horror elements, it is not necessarily that, it leans heavily into science fiction and while there are some moments of horror, it really is a science fiction movie with a twist like you would expect from the Twilight Zone or the Outer Limits. Either way, there’s something afoot in the movie, and you’ll get a little lost at first glance.

There’s a juxtaposition in the film that I won’t spoil, but there’s the main plot point and a juxtaposition of another story, and the two work hand in hand to explore a central theme of spectacle. The notion of capitalism and spectacle versus nature is something that is explored in a nuanced manner. The story follows a show horse rental company and disturbances on their ranch. There are several elements that are out of control, including a grid of power that keeps going down, without warning. Over time, it appears that ta UFO is causing the issue, and from there, the story starts to unravel to reveal more complexities over time.

Nope doesn’t have a lot of gore, it is a slow moving movie, and it is science fiction. I cannot stress that enough. I had to explain that to my sister, as she isn’t a big fan of slow burns, and this movie ended up not being on her top movie list to watch this year. She’s a horror fan. After seeing NOPE, I can truly say that Jordan Peele is one of the finer directors in the horror and now science fiction game. He takes on the notion of horror and implements it deeper into story line that features aliens, but not in the traditional sense. There’s a visual design flow that is great in this film, and though there is a limited amount of actors, there’s a lot going on, it is just presented in a slow moving manner. Imagine this like a slow boat ride attraction at an amusement park, with a stellar ending. The third and fourth act is where things really take off for NOPE and you really start to get startled, as the tension builds greatly throughout. The set pieces are great, the visual design is good, and the story juxtapositions itself with ease, making this an interesting movie, and one that you’ll think about long after you’ve seen it. I would see it again, and recommend it to anyone that likes Jordan Peele’s work. This one is a good one.