Thursday, January 15, 2015

The Lords of Salem Review

Rob Zombie burst onto the movie scene with his “House of 1,000 Corpses” and levied that into a career as a director. While some people hated his work on “Halloween”, others thought that the visionary director had something to offer the community as a whole. With the release of “The Lords of Salem” the hype surrounding his directorial work was definitely at an all-time high. Then the movie came out and a lot of people threw in the towel, their hands up in the air and claimed that he had lost it. Even though there are a lot of people that hate this movie, I think that it comes across 100 million times better than “Drag Me To Hell”, which I thought was garbage and terribly made by a veteran director. This movie was not rated Pg-13, it was rated R for a reason, it’s a HORROR MOVIE!

Visually, Zombie found a way to create a compelling, lavish art house film. There is a very beautiful array that comes through every frame of this movie, and it’s atmospheric from the first moments on the screen to the finish line. There’s attention to the colors, the set pieces, and everything works together in a very Kubrick like manner. You are going to swear that you’re watching something older than the past few years because this type of cinematography doesn’t usually hit the screen very often. The rich reds, greens, blacks, reds, and golden rod all hit the screen hard, and I was definitely impressed with the change from the dark and gloomy elements that he worked with in other movies, to this jump into what the foreign horror movies of the 1970s and 1980s were bringing.

Lords of Salem's Striking Use of Color
The movie revolves around a coven that has picked a vessel in modern times to bring forth a reckoning. A child is birthed, although the story is somewhat convoluted, through the sequences of a radio DJ playing a record that has been delivered to her. The movie then progresses and we get a writer trying to figure out a melody that is droning on and on and familiar in a way. The writer recognizes it as a melody for an old coven, and he quickly tries to figure out why it is being played on the radio. Through the narrative we get a slow burn that leaves us with no answers, except for a news reel that plays at the end.

Overall, “The Lords of Salem” is a visual masterpiece. Rob Zombie went for broke on this one, and truly delivers a “unique” vision. It may not make a lot of sense at times, but there’s enough visual direction and art to make this one of the most unique horror movies to come out in a long time. I cannot think of another movie that has the same kind of compelling visualization, and I’ve written this blog for a long time. I’ve read the complaints on this movie and you know what? If you didn’t like this at all, you’re an idiot and perhaps you shouldn’t watch horror movies any longer. This isn’t particularly scary, it’s just visually compelling in a way that few horror movies in the modern scope are.
Visual Design Is The Strong Suit of Zombie's Lords of Salem
Then again, there’s a very distinct disconnect when you see the latex baby…I’ll leave it at that. “Lords of Salem” is best enjoyed on blu ray like I did, and definitely an underrated piece of horror from recent releases. I have seen a lot of recent movies, and most don't have the same kind of visual collateral. Sure, Zombie's storytelling leaves something to be desired, but as far as a movie that isn't a rehash, or a reboot. It's an original picture that deserves far more credit than it gets. Sheri Moon Zombie does well here, and so do the other actors. I liked it.

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1 comment:

  1. I want to bugger Sherrie Moon Zombie (as the bird was in 1988 when the bird was 18, not as the bird is now obviously).

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