Tuesday, March 1, 2016

The Purge: Anarchy Review

Buy Purge Anarchy HERE
Look who is back to writing reviews about random horror tidbits. While I don’t have the time I used to have to write up a lot of different things in regards to horror, I still manage to catch a flick here and there. With that in mind, I went ahead and watched The Purge: Anarchy. This is perhaps one of the most talked about horror movies that I did not see when it came out. People were mixed upon the release, telling me that it either was ok or it was good. What you get here is a continuation of the original story, only this time, you are outside to see the mayhem.

The original Purge movie focused on a home invasion angle, not too unlike “The Collector” or “The Collection”. Those movies had some serious gusto, but it was the same idea that was mentioned in the Purge, with a few twists. Anyways, the marketing changed things up and you were given the notion of anarchy in the streets. This time, it was Downtown Los Angeles that was the framework starting point.

This movie mixes the notion of the original, with the concept of “Hostel”, and it works ok at first glance. But as the movie started to go through the motions, the viewer was introduced to something new, a new character that seemed very familiar. That character, as soon as I saw him, was none other than Frank Castle. That’s right, The Punisher! This movie, for all intents and purposes was nothing more than a Punisher movie to me. Even though the character did NOT have any affiliation with Marvel or the comic book world, that’s what you felt from the “Sergeant” that reuses people from mayhem.

As a horror movie, The Purge: Anarchy is not going to live up to the standards that most people have. If you’re used to slashers, gore, and monsters, this is not for you. This is more of a twisted tale, not too unlike what you’d expect from “The Outer Limits” or “The Twilight Zone”. Simple as that, this is an interesting movie with a lot of heart at times. It’s a frenetic, action movie, with horror movie marketing. So it’s not a horror movie straightway, but it does have horrific ideas.

I don’t recommend The Purge: Anarchy for horror fans. It’s not really that kind of movie. Yes, there are moments in time, but more than that, it’s a thriller or an action movie, as that’s really what you get. You get a lot of gunplay, running from foes, and random acts of evil, rather than that relentless scary element that makes this genre so interesting. It’s good, but not as great as the original, and definitely not going to win you over if you are expecting that home invasion tension that the first one had. It’s good, but not great, and well, it’s worth collecting if you love the first one, before the new one hits theaters later this year.

What do you think? If you liked it, let me know. I you hated it, let me know. If you didn't see it, then by all means pick it up on DVD by clicking here.

Saturday, January 23, 2016

The Twilight Zone The Sixteen Millimeter Shrine Season 1 Episode 4 (1959) Review


Just when you thought I had thrown in the towel, I come up with a new review for you 2 readers left. This time around, I managed to watch an episode of The Twilight Zone from 1959, the first season. This one came to me right after watching Hot Tub Time Machine 2, which can be easily one of the worst sequels ever made. Regardless, this episode of the pivotal television showcase came out on October 23, 1959, and it starred Ida Lupino, Martin Balsam, Jerome Cowan, and Ted de Corsia.

Four Episodes Into The First Season 


“The Sixteen Millimeter Shrine” is the fourth episode in the first season of the series, and it hinges on what many Hollywood stars must go through. An aging actress is watching old movies of her performances, and wishes that she could go back to a place where she was wanted, adored, and the likes. As her days go on, she is in the darkness, drinking, and just doesn’t really go out. When an opportunity to star in a new movie comes about, she jumps at the chance, but recoils when they ask her to play someone more her, “age”. She goes home and is depressed. In her depression, she decides it’s better to go into the screen and live with the past. Well, in The Twilight Zone, anything is possible, and that’s what happens. Barbara Jean Trenton jumps into the screen, and that’s where she stays forever.

Do Actors Wish For This? 


This television showcase is an interesting one. It reminds me a lot of what many older people go through. I met a lot of aging rock stars in my day, and a lot of them act the way Trenton acts. They want that old glory, but they don’t want to admit they are old. The same goes for action sports. A lot of professional skateboarders are dealing with issues of this type. It’s a sad state, but it’s a true state. It got me thinking. What about me? Will I be there? I’m already there, who am I kidding. I used to own a record label. I used to have a huge record collection. I had a lot going for me, and now, I’m battling anxiety and depression on a regular basis, without any health insurance. The struggles of a writer are real.

Oh, the episode! My bad. Overall, this is an interesting episode. It features that nostalgia of past experience, mixed with the present realities. What if you could escape? That’s the premise. Would you live in your greatness and that’s it? I don’t know. The escapism attached to former glory is incredible, even if you only tasted it for a second. Sometimes I wonder what it would be like to get a second chance at being a record label owner. Then again, I’m a writer. I can dream up a lot of things for myself. But as far as this episode, it’s a good one. It has good acting, clever pacing, and that classic twist you’d expect from Serling and company.

Ida Lupino Is Quite The Actress


Is it my favorite thus far? No. It’s only 4 episodes into the first season. I do like the camera work, scripting, and acting. At one point Ida Lupino behaves drunk, but ever so slightly. You’ll have to watch how she plays it in the agent’s office. There’s a subtly to her movements and it’s stellar acting. Ida Lupino died in 1995, but man did she have a beautiful face in 1959. Such a good actress, and famous too. Anyways, this is a good episode, and I enjoyed it. You may like it too.

Order the complete Twilight Zone on Blu Ray by clicking here, please.

Tuesday, January 5, 2016

Interstellar Review


I didn’t want to watch Interstellar when it first came out. I thought it would be boring. So I didn’t watch it until it finally came out to streaming. After seeing it, I can definitely say it is one of my favorite science fiction movies. If I had a top 3 for last year, I would say that Ex Machina, Elysium, and Interstellar as my favorites from the past year. Whatever the case may be, this is a movie that deserves your time, even if some may say that it’s too long. Interstellar is one hell of a movie.

The movie has a complex premise. The world, in the future, is getting dusty and farmers are going to have a difficult time feeding the world. NASA needs to send astronauts to other worlds to get data to inhabit another earth, or humanity is doomed. Meanwhile there’s an issue going on at a former pilot’s house. A smart daughter, a dumb son, and their future seems to be pushing forward through life, setting up something grand for the future. Now, there’s a subplot here involving a ghost, and the first lines of the film give away that, but most don’t realize what is going on, so they keep going. The movie then pushes forward with our astronauts heading to a new planet to see what is going on.

In the course of over 3 hours, we meet our astronauts, NASA, and much more. There are surprising elements, including a villain that is cryogenic freeze. A fist fight on another planet, and an incredible tidal wave that looks like a building. Science is explained often, and there’s even a video about all the science issues that are described in the movie done by Cinemasins.

You can purchase Interstellar on Blu Ray Here (amazon).

Interstellar is a long movie. It’s a long epic film that nods at Stanley Kubrick’s vision from the past, but gives you something new. There’s a lot of heady material here. It’s perhaps the most science heavy movie that I’ve seen, and really enjoyed the way the movie comes through. The larger picture is a lot more villainous than meets the eye, and it’s done in such an interesting manner. Christopher Nolan pushes the limits here, once again giving you a visual feast. The movie is spotless in a lot of ways, and deserves to be seen in a large format. Imax would’ve been absolutely splendid.

The movie is hard to watch if you’re tired. It’s not action packed. There are no explosions for the sake of it, there’s nothing that you would find in a Michael Bay film. There’s a lot of layers to this movie. From science, cinematography, art, and acting. Even though there are minor gripes, the majority of the movie’s focus on love, loss, distance, time, science, time travel, and visual design is epic in scope. It’s for this reason why we go to the movies. I was more compelled by Interstellar than ANY Star Wars film ever made. There’s a reason why this movie lost so many, and it’s an intelligence factor that wins me over.

There’s fear in this movie, a real fear. You’re going to sense it as you get into the isolation that the astronauts are in. The performances are done well, including the future, past, and present. I am once again completely flabbergasted by Matthew McConaughey’s performance. Anne Hathaway is good, Jessica Chastain, Michael Caine, and Matt Damon put on a showcase. There are some other great performances here, but this movie really does great to showcase the power of acting, and cinema as a whole.

Interstellar is a heady film. It’s on the same par as Primer and Timecrimes. Two of my personal favorite movies. You have to check this one out. It’s a beautiful movie. It’s available right now on Blu RAY and quite a hefty movie. It is more than just a science fiction movie, and you’ll see it when you decide to settle in for the moody dialogue and more.

Check out Cinemasins below to see spoilers, and science notes about the movie.

Wednesday, December 23, 2015

Video: Did Disney Kill Star Wars - Yep, Selling Out Your Childhood

Disney Kills Star Wars Franchise? - Some Say So!
I am wide awake, and found this clip from Alex Jones. Now, regardless about how you feel about Alex Jones and his politics, you should check out this spoiler filled expansive review about the latest Star Wars.

I already said that the new Star Wars Sucks. But here is a great analysis of Star Wars, and how stupid it truly is. This whole movie was made to sell you merch and take your money.

"I don't mind marketing, but put good art out and make money, don't just make art to sell things."

Tuesday, December 22, 2015

They Live Skateboard Decks From Baker Skateboards - Out Now!

Ever see the movie "They Live"? of course you have! Well, every now and again I see skateboards put out in tribute of horror movies. This is one of them. Baker Skateboards just put out a series of skateboards in tribute of the movie "They Live" and they are featured below. They feature the same style of serious elements that you saw on screen when Roddy Piper would put on those special glasses.

If you're interested in purchasing these skateboards, you can do so by going to Amazon by Clicking Here. You will receive free shipping. I think these are worth putting up on a wall, personally.

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Baker Skateboards Obey Series - Order Here

Saturday, December 19, 2015

The Twilight Zone Mr. Denton on Doomsday (1959) Review

Mr Denton Contemplates Fate
Back to our regularly scheduled program, we have been discussing The Twilight Zone from start to finish, and here I am with another edition. This time around, we are at episode 3. This episode originally hit the airwaves in 1959. It stars Martin Landau, Jeanne Cooper, and Dan Duryea. It’s well acted, streamlined, and hits you right in the “what if” cycle of life. There are some interesting puns used for this episode, and things really get through to a whole different wavelength then the previous two episodes of the series. This is a serious mind numbing episode, because if you’re like me, you are a bit anxious about your own abilities. The story is interesting, set in the wild west, a drunkard is made to dance and sing for his drink. There is a group of bullies that continually tease and cause him to dance and drink, and he hits rock bottom. Jeanne Cooper here is absolutely beautiful, as she comes out of the saloon to talk to Denton and encourage him for to change. Denton being the drunk.

Thursday, December 17, 2015

9 Major Reasons Why Star Wars The Force Awakens Sucks

Face It, Star Wars Sucks
I’m not going to sit here and type that I’m a revered critic. I’m not. This page is not even on the radar. Even though I did manage to win 2 Golden Popcorn Awards, this page gets less views than an old Vicca VHS tape. The new Star Wars movie is here, and unless you’ve been living under a rock, you don’t know that. I for one am so sick and tired of the marketing. I don’t need Star Wars branded TACO shells! I’m so tired of getting hit with the super marketing push that has nothing to do with the movie, the franchise, or anything at all with cinema. I don’t need “dark side” oranges, or Yoda branded grapes!

Ok, I’ll digress.

There are a LOT of people praising the latest in the Star Wars movies. But I am not so quick to say that this is a great movie. Just like the Dark Knight Returns, I am calling it for what it is, a lackluster, crap shoot of a film. Simply put, this movie sucks.

I’m not that eloquent in writing sometimes, so instead of hashing out a diatribe, I’ll just give you 9 reviews that highlight what I’ve been saying since this movie started and it’s now on our proverbial tables. This movie sucks, and the franchise sucks. It’s overrated, and I’m tired of getting lambasted when I speak my opinion about it.

Here are 9 major reasons or rather reviews that showcase how much Stars Wars The Force Awakens sucks, and how the marketing can go to hell. I’m tired of it.


9 - It's The Same Movie?!


Whether Abrams’ obsessive-compulsive relationship to George Lucas’ 1977 original works for you is a subjective question, of course. You can choose to understand “The Force Awakens” as an embrace of the mythological tradition, in which the same stories recur over and over with minor variations. Or you can see it as the ultimate retreat into formula: “Let’s just make the same damn movie they loved so much the first time!” There are moments when it feels like both of those things, profound and cynical, deeply satisfying and oddly empty. This is the work of a talented mimic or ventriloquist who can just about cover for the fact that he has nothing much to say. He has made an adoring copy of “Star Wars,” seeking to correct its perceived flaws, without understanding that nothing about that movie’s context or meaning or enormous cultural impact can be duplicated.

- Salon.com 

8 - JJ Abrams Sucks As An Action Director (DUH!)


As in his other movies (including Super 8 and Star Trek films), Abrams doesn’t seem to know how to frame the action, dramatically or visually, to maximize the good and minimize the bad. The setup for the climactic set piece, which echoes the three friends in The Wizard of Oz sneaking into the witch’s castle to rescue Dorothy, is almost embarrassingly perfunctory, and the security for all First Order facilities appears set at pre-9/11 levels. The film’s strokes of visual panache include the funereal throne room of Supreme Leader Snoke (Andy Serkis), who looks like an enormous version of Edward Munch’s “Scream.” But Abrams can’t pull off a Triumph of the Will extravaganza, whether with his sub–Albert Speer architecture or Domhnall Gleeson’s glazed face and frozen rabble-rousing as General Hax.

- Filmcomment.com

7 - It Is Just Paying Fan Service (Nostalgia)


But The Force Awakens is still more or less a fetish object, a film that exists to inspire phrases like “It feels like Star Wars again” ad nauseam from a fanbase that equates the lasting impact of Lucas's prequels as something akin to PTSD. Its analog grain, practical effects work (shrewdly augmented with CGI), and the impression, at least, of a new story in this universe being told, rather than the predetermined one we were subjected to last time, lend Abrams's effort a baseline rejuvenation, one he and returning screenwriter Lawrence Kasdan stoke throughout with the kind of nostalgia this series has been exploiting since it first co-opted John Fordian vistas and plot points from Akira Kurosawa films.

- Slantmagazine.com

6 - It's Just The Same Movie (and the same as #9 on this list)


He hasn’t made a terrible picture—just a safe one, where the farthest reaches of fantasy feel merely routine. Every crisis or moment of drama turns out to be a rehash of one that has gone before. Even Luke’s pivotal discovery from The Empire Strikes Back, in which he finds out that his greatest enemy is also his closest relative, is repeated here in a different form, with two characters unexpectedly occupying branches of the same family tree. 

- Newstatesman.com

5 - People Are Willing To Pay Money No Matter What The Movie Is Like (lame)


Some things are the same but updated, an orphan in the desert with a mysterious heritage, a swashbuckling pilot, a plucky droid. And some things are simply the same: C-3PO and R2-D2, the Millennium Falcon, and oh yes, the Force. The unkind view — the cynical view, the greedminded view — is that there is no need for new ideas when people will line up to pay for old ones. 2015.

- Sandiegoreader.com

4 - Either Abrams Doesn't Know How To Pace Himself Or He Doesn't Know The Audience


And yet The Force Awakens adds up to something less than the sum of its parts. The early scenes have a relaxed, assured pace. But as the story moves forward, Abrams becomes more mired in the task of keeping the plot mechanics in gear. There’s the expected climactic battle between X-wing starfighters and TIE fighters, which is mildly exciting and nothing more—the fact that it’s punctuated with dumb dialogue like “General! Their shields are down!” “Prepare to fire!” and even the classic, “It would take a miracle to save us now,” surely doesn’t help. And the movie’s big twist, clearly intended to be a moment of Shakespearean grandeur, is handled clumsily: Instead of allowing a significant figure to have his grand moment, Abrams cuts to other characters expressing shock and dismay, as if he didn’t trust the audience to know what to feel.

- Time.com

3 - It's A Boring Rehash of The Same Ideas As The Original, emphasis on BORING. 


 Pero me fui deshinchando progresivamente, me aburría el más de lo mismo y me resultó francamente pesarosa la segunda parte de la saga.

- Cultura.elpais.com

2 - We Have Already Seen The Same Gags and Tricks For 30 Years! 


But we have had 30+ years of movies aping A New Hope, with some (Pirates of the Caribbean: Curse of the Black Pearl) being better than others (Pan, Lucas’s own Willow). So it is a little disheartening to see the former champion playing the same game as would-be pretenders.

You can make the case that I was hoping to get “the Star Wars movie,” promised in the grandly mythic trailers but instead got merely “a Star Wars movie.” 

- Forbes.com

1 - It's Not Well Made, It's Clunky, and Abrams Doesn't Know How To Handle Visual Style


The picture feels a bit clunky, as if on stilts, until the action takes place. Roger Ebert had a cynical observation about whom the Oscars rewards, to paraphrase, “He who acts most acts best.”  Though not as acrimonious as Lucas’ prequels, which aren’t even worth consideration if we’re to be serious about any kind of analysis, Abrams feels off balance when he’s not running.  I can relate, but I have poor motor coordination because of my cerebral palsy. What’s J.J.’s excuse?

THE FORCE AWAKENS also suffers from Abrams’ lack of a visual style.  It’s not due to technology.  He insisted on real locations and a film medium as opposed to digital cinematography. RAIDERS’ cinematographer Douglas Slocombe, like Peter Suschitzky on EMPIRE, had an easily deconstructed style that was consistent and appropriate for the tone Spielberg wanted for his homage to b-movie serials.

- Cinemalogue.com

There you have 9 reasons why Star Wars: The Force Awakens sucks. I used these sites as quotes because they didn't just go for nostalgia and say this was a great opus. It's not. It's another pull to make money, and while I don't care if people make money in a business, I do find that some things aren't worth their salt, and this again is not worthwhile. I'll save my 30 bucks and pay some bills, get a coffee, and go back to whatever it is I do. But if you're honest with yourself, and you read these things, as well as see the movie, you will see that it's nothing grand. Heck, it's about as exciting as a 70 year old man kicking an up and coming WWE superstar. I suck at writing, which is why I linked you to 9 good writers. I'm done. This sucks.